论海明威小说中对话的视觉化效果

发布时间：2018-01-20 00:40

本文关键词： 海明威对话旁观者眼光现场感视觉化效果　出处：《西南大学》2013年硕士论文　论文类型：学位论文

【摘要】：视觉文化,也叫做视觉研究,是一个主要研究艺术、媒介和日常生活中的视像之文化建构的新领域,在这块研究领地和这门开创性的课程中,视觉图像是某种文化语境中意义得以生成的关键性要素。海明威的小说被公认为具有视觉化的特点,视觉化即指他的小说创作追求一种可见的境界,无论是对人物的描写,对风景的描绘,还是对事件的叙述都追求让读者身临其境的在场,用客观的视角真实再现故事发展与人物言行,不渗入自己的感情,不加进自己的评论,让读者自己发现、自己感受,让可理解的思想转变为可见的思想。由此可见,小说视觉化产生的效果是为读者营造出一种身临其境的感觉,让读者不是依靠作者的介绍或主观评论,不是被动地依靠作者,而是依靠自己设身处地的所见所想来认识小说。海明威在他的作品中非常追求这种能让人感到身临其境的现场感,因为这是调动读者积极性,让读者抛弃对作者的依赖,独立自主地理解作品的重要手段,而在营造现场感的表现手法中对话是一种十分重要又非常常见的表现手法。海明威用对话代替叙述,代替对人物内心世界的深入探索,使作者从文本中退出,使读者在文本中找不到作者的主观感受,单纯将场景和人物的表现以对话的形式表达出来,让读者从对话中得出自己的感受,将文本与读者的距离降到最低,还原了生活客观真实的面口。本文从对话的客观性、对话的语言艺术和对话的视觉化效果三个方面具体阐释海明威小说中对话体现出的视觉化效果,三部分以对话为中心,各有侧重,层层深入,力求达到对海明威小说中对话视觉化特征的全面认识和深刻理解。本文正文分为以下三章：第一章“对话的客观性”,从“旁观者的眼光”和“复调特色”两个方面论述海明威小说中对话所体现出的客观性。客观性是海明威小说最突出的特点之一,海明威在小说中用旁观者的眼光记录现实,采用展示的叙述方式,真实模仿现实生活中的对话,隐去自己的声音,以达一客观化的叙述效果,也使他的作品具备了复调小说的特点。第二章“对话的语言艺术”,从“简洁的对话”、“口语式的对话”、“准确生动的对话”三个层面论述海明威小说中对话的语言特色。海明威用字最大的特点就是干净简洁,他追求的是用简洁凝练的词句进行准确有力的描述,海明威洗练、简洁的白描手法将风景、人物、行动原原本本地搬到我们面前,不需要借助其他的感情渲染就能达到同样的效果。第三章“对话的视觉化效果”,从“现场感与戏剧性”、“人物形象个性鲜明”、“摄影机的冷峻眼光”三个层面论述海明威小说中对话的视觉化特色。在海明威的小说里,我们能够明显找到电影化的痕迹,在进行小说创作时,海明威为了达到最佳的模仿效果,除了退出小说前台,客观记录人物的语言行动之外,他还精心地营造真实的现场感,塑造富有个性的人物形象,同时用展示的语言介绍情节、人物,这种语言就像在模仿摄影机所代表的中立客观和毫无偏袒。
[Abstract]:Visual culture, also called vision research, is one of the main research fields of art, new media construct and everyday life in the vision of culture, in this study the territory and pioneering course, visual image is the significance of a cultural context to key generation to Hemingway's novel is recognized as. Has the characteristics of visual, visual means of his novel creation pursuit of a visible state, whether it is the description of the characters, the description of the scenery, or narrative of events are the pursuit of readers personally on the scene in the present objective perspective of real story development and reproduction of characters into words and deeds, not their feelings, not add your own comments, let the reader find their feelings, let the thought change can be understood as visible thoughts. Thus, the novel visual effect is for the reader to create a personally on the scene Feeling, let the reader not rely on author or subjective comments, not rely on the author, but rely on themselves see to understanding the novel. Hemingway in his works is the pursuit of this can make people feel personally on the scene of the scene, because this is to mobilize the enthusiasm of readers, let the reader abandon reliance on the author that means independent understanding of the work, and create a sense of the scene in the dialogue expression is a very important and very common expression. Hemingway used the dialogue instead of narrative, instead of exploring the inner world of characters, the author withdrew from the text, so that readers can not find the author's subjective feelings in the text in the simple expression of the scene and characters in the form of a dialogue, allowing readers to draw their own feelings from the conversation, the gap between the text and the reader to a minimum, but also The objective and real life of the life of the face.
This article from the dialogue of objectivity, the dialogue reflects visual effects three aspects of visual effects of dialogue and dialogue interpreting language art in Hemingway's novels, the three part of the dialogue as the center, the emphasis of the layers of depth, and strive to achieve a comprehensive understanding of the characteristics of Visual Dialogue in Hemingway's novels and a deep understanding of this. The text is divided into the following three chapters:
The first chapter of "dialogue objectivity" objectivity embodied from "dialogue on Hemingway's novel two aspects in the eyes of the beholder" and "polyphony". Objectivity is one of the most prominent features of Hemingway's novels, Hemingway used to record the real spectator in the novel, the display of narrative style, imitation real life in the dialogue, to hide their own voice, to achieve an objective narrative effect, also make his works with features of polyphonic novels. The second chapter is "the art of language dialogue", from "simple dialogue", "spoken dialogue", "language features accurate and vivid dialogue dialogue" three the level of discourse in Hemingway's novels. Hemingway's words is the biggest characteristic of clean, he is in pursuit of accurate and effective description, with concise words Hemingway succinct, concise style of hand The scenery, character, action originally moved to the US, without the aid of other emotional rendering can achieve similar result. The third chapter "visual effects" dialogue, "from the scene and drama," the characters vivid "," visual features dialogue camera solemn vision three the level of discourse in Hemingway's novels. In Hemingway's novels, we can find obvious traces of film, in the novels, in order to achieve the best effect of the imitation of Hemingway, in addition to exit the novel, beyond the objective record of the characters' language action, he carefully to create a real sense of the scene, shaping the personality characters at the same time with the display image, language introduction, plot, characters, such as language represented in imitation of the camera and the neutral without favoritism.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074

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