霍普特曼《沉钟》的象征艺术研究

发布时间：2018-02-27 08:44

本文关键词： 霍普特曼《沉钟》象征艺术　出处：《山西师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：《沉钟》是十九世纪末德国象征主义戏剧的代表作，作者盖尔哈特·霍普特曼（Gerhart Hauptmann）是德国集自然主义、现实主义、象征主义于一身的著名作家。与传统戏剧相比，霍普特曼的象征主义戏剧的创作不再局限于反映丑陋的社会现实，更着重于反应对内心自我价值的寻找，戏剧人物也由仅仅刻画现实生活中的典型人物转为幻想写意，戏剧矛盾也由外部世界不和谐的冲突上升到内心世界理想与现实的斗争。不管是外在形式的表现，还是艺术形式的运用，霍普特曼的创作风格有明显的转换。在艺术审美的风格上，，霍普特曼更倾向于描写对美好世界的追求，并思考人本身的价值与理想。国内外关于这位杰出的德国剧作家的研究并不多见，而对于霍普特曼象征主义戏剧的研究相对于他的其它戏剧的研究更是远远不够，还有很多值得探讨的地方。本文在研究霍普特曼所有象征主义戏剧的基础上，试图着重研究霍普特曼《沉钟》的象征主义艺术特色，挖掘其深层含义，并就霍普特曼的象征主义戏剧在德国戏剧发展史上和世界戏剧发展史上的定位进行描述。本文重点阐述《沉钟》的象征主义特色，共分三个部分对《沉钟》的象征艺术进行分析研究。第一部分主要从象征主义角度分析《沉钟》的创作背景，并分社会背景、哲学理据和西方戏剧思潮的影响三个方面探讨《沉钟》写作的缘起。第二部分运用象征主义理论对《沉钟》中的象征意象进行具体的分析。第三部分从戏剧场景的交错感、戏剧语言的诗化美以及戏剧节奏的音乐美对《沉钟》中的象征美进行了论述。
[Abstract]:Shen Zhong is a masterpiece of German symbolism in late 19th century by Gerhart Hauptmann, a famous German writer of naturalism, realism and symbolism. The creation of Hoptman's symbolic drama is no longer confined to reflect the ugly social reality, but also focuses on the search for the inner self value. The dramatic characters also change from merely portraying the typical characters in real life to fantasy freehand brushwork. The contradiction of drama has also risen from the conflict of disharmony in the outside world to the struggle between ideal and reality in the inner world. Whether it is the expression of external form or the application of art form, In terms of artistic aesthetic style, Hoptman is more inclined to describe the pursuit of a better world and to think about people's own values and ideals. There are few studies on this outstanding German playwright at home and abroad, and the study of Hoptman's symbolism is far from enough compared with his other plays. On the basis of studying all the symbolism drama of Hoptman, this paper tries to study the symbolism artistic characteristics of Hoptman's Shen Zhong and dig out its deep meaning. It also describes the position of Hoptmann's symbolism drama in the history of German drama and the history of world drama. This paper focuses on the symbolism characteristics of Shen Zhong. It is divided into three parts to analyze and study the symbolic art of Shen Zhong. The first part mainly analyzes the creative background and social background of Shen Zhong from the perspective of symbolism. This paper discusses the origin of Shen Zhong's writing from three aspects: philosophical motivation and the influence of western drama thoughts. The second part makes a concrete analysis of the symbolic image in Shen Zhong by using symbolism theory. The third part analyzes the staggered feeling of the drama scene. The poetic beauty of drama language and the musical beauty of dramatic rhythm discuss the symbolic beauty in Shen Zhong.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I516.073

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