从《世间妾形气》和《雨月物语》来看上田秋成的女性观

发布时间：2018-03-29 17:54

本文选题：上田秋成　切入点：女性观　出处：《吉林大学》2015年硕士论文

【摘要】：《世间妾形气》和《雨月物语》分别是上田秋成在明和四年和明和五年所写的。两者体裁不同，但创作时期相近。所以，我认为选取这两篇来研究秋成的女性观会更具有代表性。秋成的作品被认为比较侧重体现人的自然性。但是，先行研究中却出现了“赞美遵守封建妇德的女性”和“同情被封建妇德压制住的女性”的两种相对的观点。秋成在他的文学作品中是怎样体现社会对于女性的普遍看法的？他是怎么把女性的生活方式和封建道德联系在一起的？先行研究大多从个别作品来考察女性形象。而几乎没有整体地分析过《世间妾》和《雨月物语》中的女性形象。所以，本文想综合《世间妾》和《雨月物语》中的16位女性形象，参照当时的社会背景、《女大学》和婚姻法来考察秋成的女性观。第一章先把《世间妾》分为“私通的妾”、“设骗局的妾”和“良家姑娘堕落为妾”三类。然后按顺序具体分析这三类妾的性格特点以及各自的结局。第二章以不同题裁的《雨月物语》为中心来考察秋成的女性观。本章分为《吉备津之釜》与《小袖话》，《夜归荒宅》与《藤野话》以及《蛇性之淫》与《玉手箱女房话》三个部分。依次分析了三组女性形象的异同。第三章从两部作品中的女性结局来考察秋成的女性观。《世间妾》中，“私通的妾”从花园、广岛之女和阿隅三人的残酷的处罚中，可以看出秋成是按社会的道德观念来看待女性的贞操观的；“设骗局的妾”通过阿丝、繁野和小袖的比较，可以看出秋成同意“女性是男性的附庸”这一社会观点；“良家姑娘堕落为妾”参照《女大学》对于女性的评价，，再从阿桥与木幡、和阿瓶的鲜明对比中看出秋成的女性观深受封建意识影响。《雨月物语》中，首先通过证明《吉备津之釜》和《小袖话》的相似性，来说明秋成同情的不是被封建妇德压制的女性，而是那些没得到相应回报的遵守封建道德的女性；接着，通过比较藤野和宫木，看出秋成更欣赏宫木，进而从藤木到宫木的转换窥探出秋成对女性贞操观的苛刻;最后分析的是和贞女藤野和宫木不一样的荡妇阿春和真女儿，从两人的悲惨结局第四章来看，秋成是以相当严厉的目光来看待女性的贞操观的。在结论部分，推翻了《世间妾》和《雨月物语》中的伦理观是在不断淡化的观点，得出《世间妾》和《雨月物语》的伦理色彩是不变的这一观点。秋成的女性观没能摆脱近世伦理的束缚。
[Abstract]:"Qi of concubinage in the world" and "Yuyue of the Moon" were written by Qiucheng Ueda in Ming and four years and Ming and five years, respectively. The two styles are different, but the period of creation is similar. So, I think it would be more representative to select these two articles to study Qiu Cheng's view of women. Qiu Cheng's works are considered to be more focused on the naturalness of human beings. However, However, there are two opposite viewpoints of "praise and obey the feudal women's morality" and "sympathize with the women who were suppressed by the feudal women's morality" in the first research. How does Qiu Cheng reflect the general view of the society on women in his literary works? How did he relate the way of life of women to feudal morality? Most of the previous studies have looked at female images from individual works. However, almost no overall analysis has been made of the female images in "concubinage in the world" and "Yuyue of the Moon". This paper attempts to investigate Qiu Cheng's view of women by synthesizing the images of 16 women in "World concubinage" and "Yuyue", referring to the social background at that time, "Women's University" and the Marriage Law. The first chapter divides "concubinage in the world" into three categories: "concubinage of adultery", "concubine of deception" and "girl of liangjia degenerating to concubine", and then analyzes the characteristics of these three kinds of concubines and their respective endings. The second chapter examines Qiu Cheng's view of women with different themes "Yuyue" as the center. This chapter is divided into "the kettle of Jiebei and Tianjin" and "the small sleeve's words", "returning to the wasteland at night" and "Fujiano's dialect", and "the sex of snake" and "jade hand box" The author analyzes the similarities and differences of the three groups of female images in turn. The third chapter examines Qiu Cheng's view of women from the female ending in the two works. In concubinage in the world, the concubine of adultery comes from the cruel punishment of the garden, the daughter of Hiroshima and the son of Ah Yu. It can be seen that Qiu Cheng viewed women's view of virginity in terms of social morality; "concubines who set up deception" were compared by Ace, wild and small sleeves. It can be seen that Qiu Cheng agrees with the social view that "Women are male servants." "Liangjia Girl degenerates to concubine" refers to the evaluation of women in "female University", and then starts with Ah Qiao and Mubana. In sharp contrast with Ah Ping, we can see that Qiu Cheng's view of women was deeply influenced by feudal consciousness. In Yuyue of the Moon, first of all, by proving the similarity between "the kettle of Jibei and Jin" and "Xiaoxuan dialect", To show that Qiu Cheng sympathizes not with women who were suppressed by feudal women, but with women who have not received a corresponding reward for obeying feudal morality. Then, by comparing Fujino and Miyagi, we can see that Qiu Cheng appreciates Miyagi better. Then from Fujiao to Miyagi to explore the conversion of Qiu Cheng to female virginity view harsh; finally, the analysis is different from the virginity Fujiano and Miyagi the same slut Ah Chun and the real daughter, from the tragic outcome of the two. In the fourth chapter, Qiu Cheng takes a rather stern look at the view of female virginity. In the conclusion, the argument that the ethics of concubinage in the world and the Yuyue of Rain is being downplayed is overturned. It is concluded that the ethical color of concubinage and Yuyue is constant. Qiu Cheng's view of women can not get rid of the shackles of modern ethics.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I313.06

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