用神话原型批评分析《野草在歌唱》

发布时间：2018-05-23 18:42

本文选题：多丽丝·莱辛 + 《野草在歌唱》　；参考：《西安外国语大学》2013年硕士论文

【摘要】：《野草在歌唱》是多丽丝·莱辛的第一部小说。该小说常常被用女权主义和后殖民主义理论来分析，主要把女主人公玛丽解读为是父权制社会和殖民主义社会的一个受害者，而很少有学者分析小说中的两名男性角色，，从而导致莱辛被误贴上“女权主义者”和“殖民主义者”的标签。本研究则试图用原型理论来解读这部小说，分别从意象原型，人物原型，情节原型和主题原型来重点分析这两名男性角色，为研究者与读者提供一个新颖、合理的解读视角。事实上，通过有力的论证，本研究表明莱辛在这部小说中也给予了两名男性角色迪克和摩西关注，探索了他们在《圣经》中的耶稣和摩西原型。本研究的目的是撕去贴在莱辛身上的以上两大标签，证明莱辛在《野草在歌唱》中并非如大多数前人研究的仅仅关怀女性和白人，相反她对男性和被殖民者给予了很大的关怀。
[Abstract]:Weeds singing is Doris Lessing's first novel. The novel is often analyzed with feminist and postcolonial theories, mainly interpreting Mary, the heroine, as a victim of patriarchal and colonial societies, while few scholars analyze the two male characters in the novel. This led to Lessing being wrongly labelled as "feminist" and "colonialist". This study attempts to use prototype theory to interpret the novel, respectively from the image prototype, character prototype, plot prototype and theme prototype to focus on the analysis of these two male characters, to provide a novel and reasonable perspective for researchers and readers. In fact this study shows that Lessing also gives attention to two male characters Dick and Moses in this novel and explores their Jesus and Moses archetypes in the Bible. The purpose of this study is to tear off the above two labels attached to Lessing, and prove that Lessing is not only concerned about women and whites as most previous studies have done, but rather she gives great care to men and colonized people.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074

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