透视阿特伍德小说《可以吃的女人》中的互文性

发布时间：2018-05-31 10:25

本文选题：《可以吃的女人》 + 互文性　；参考：《武汉理工大学》2013年硕士论文

【摘要】：曾四次被提名英国布克奖,并于2000年夺得该奖项,素有“加拿大文学女王”称号的玛格丽特·阿特伍德,展现了她对叙述和体裁的高超掌控能力。她的作品着重于三个不同但紧密相关联的文学传统的交叉点上：女权主义,民族主义和后现代主义,并揭露了在现代社会中,女性支离破碎的生活,遭受的磨难,以及传递的伤痛。本文试图从互文性视角对她的第一部长篇小说《可以吃的女人》进行重新解读,以共时研究的方法,强调文本内容与文本形式之间的相互作用,重视文本间的相互指涉,将文本从单一的阅读语境中解脱出来,并置于广阔的文学背景中加以审视,并指出小说意义的生成正是多文本相互交叉,联系,作用的结果。本文从热奈特所界定的狭义的互文性中包含的两种互文手法,共存关系的互文手法典故(allusion)和派生关系的互文手法戏仿(parody)来重新解读《可以吃的女人》和其“前文本”——替罪羊小说、童话故事、哥特小说、和传统女性小说结尾等的相互指涉和意义关联,以期通过这些“互文本”来发掘文本的深层内涵,为读者解读《可以吃的女人》提供新的视野。论文共分为五章。第一章介绍了玛格丽特·阿特伍德的成长背景,文学地位、成就,国内外对她文献评论以及本论文的研究意义。第二章介绍了互文性理论的产生发展和演变,从索绪尔的语言符号理论和巴赫金的“对话性”和“复调”理论,推演到法国文学批评家和女权主义者朱丽娅·克丽斯蒂娃提出这一术语,再到以罗兰·巴特为代表的广义互文性和热奈特为代表的狭义互文性,探究了可操作的狭义互文性理论与本研究的相关性。第三章根据共存关系的互文手法——典故,分析了《可以吃的女人》当中隐喻的替罪羊小说和童话故事,以及它们和阿特伍德文本的关联,影响作用,得到了阿特伍德笔下女性角色遭受磨难和压迫的深层次原因。第四章根据派生关系的互文手法——戏拟,展示了《可以吃的女人》与哥特文学、传统小说当中的女性结尾的互文关系,旨在凸显阿特伍德对传统文学体裁和风格的转变、颠覆,挖掘《可以吃的女人》的多重主题。第五章是本文的结论部分,扼要总结了全文的主要观点。
[Abstract]:Margaret Atwood, who has been nominated four times for the British Booker Prize and won the award in 2000, has demonstrated her mastery of narrative and genre. Her work focuses on the intersection of three different but closely related literary traditions: feminism, nationalism, and postmodernism, and reveals the tribulations of women's fragmented lives in modern society. And the pain of transmission. This paper attempts to reinterpret her first novel Edible woman from the perspective of intertextuality, emphasizes the interaction between the text content and the text form, and attaches importance to the interrelation between the text and the text. The text is freed from the single reading context and examined in the broad literary background, and it is pointed out that the generation of the meaning of the novel is the result of the intersecting, connecting and acting of the multiple texts. In this paper, there are two kinds of intertextuality in the narrow sense of intertextuality defined by Genett. Intertextuality of coexistence (allusion) and intertextuality of derivation (parody) to reinterpret Edible woman and its "Pre-text"-scapegoat novels, Fairy Tales, Gothic Fictions, This paper tries to find out the deep connotation of the text and provide a new perspective for the reader to interpret the Edible woman through the mutual reference and the meaning of the ending of the traditional female novel, which is expected to explore the deep connotation of the text through these "mutual texts". The thesis is divided into five chapters. The first chapter introduces Margaret Atwood's growing up background, literary status, achievements, literature review at home and abroad as well as the significance of this thesis. The second chapter introduces the development and evolution of intertextuality theory, from Saussure's linguistic symbol theory and Bakhtin's "dialogue" and "polyphonic" theory. From the French literary critic and feminist Zhu Liya Christeva to the generalized intertextuality represented by Roland Bart and the narrow intertextuality represented by Genett. The relevance of the operational theory of narrow sense intertextuality to this study is explored. The third chapter analyzes the scapegoat novels and fairy tales of metaphor in Edible woman, and their relation with Atwood's text, according to the intertextuality of coexistence. Get the deep reason of suffering and oppression of female characters in Atwood's writing. The fourth chapter shows the intertextuality between "Edible woman" and Gothic Literature, the ending of female in the traditional novel, in order to highlight Atwood's transformation of the genre and style of traditional literature. Subversion, dig up the multiple themes of Edible Women. The fifth chapter is the conclusion of this paper, briefly summarizes the main points of view.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I711.074

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