台港暨海外华文女作家的后女权主义镜像之比较

发布时间：2018-06-30 05:03

本文选题：后女权主义 + 华文女作家　；参考：《贵州社会科学》2015年10期

【摘要】：台港暨海外华文女作家的创作与后女权主义理论在客观上存在两个方面的契合点:时间和地域。在时间上,二者的产生和发展几乎在同个时期,20世纪60年代末,当后女权主义从后现代主义思潮中发展起来时,台港暨海外华文女作家的创作也逐步受到学术界的关注。几十年来,后现代主义蓬勃兴起,华文文学的创作也深受其影响;在地域上,后女权主义主要在西方国家发展,虽然内地的很多女性作家作品也逐步表现出后女权主义症候,但与台湾、香港和海外地区的华文女作家相比,后者在地域上更容易接触西方思想。尤其是海外华文女作家,其作品的复杂性、离散性和边缘性本身就属于后女权主义理论的关键词。
[Abstract]:There are two points of convergence between Taiwan, Hong Kong and overseas Chinese women writers' creation and post-feminist theory: time and region. In time, the emergence and development of the two were almost in the same period in the late 1960s, when post-feminism developed from the post-modernism trend, the creation of Taiwanese and overseas Chinese women writers gradually attracted the attention of the academic community. Over the past few decades, post-modernism has flourished, and the creation of Chinese literature has also been deeply influenced. Geographically, post-feminism has mainly developed in western countries, although many female writers and works in the mainland have gradually shown post-feminist symptoms. But the latter are geographically more accessible to Western thought than women writers in Taiwan, Hong Kong and overseas. Especially for overseas Chinese female writers, the complexity, discreteness and marginality of their works belong to the key words of post-feminist theory.
【作者单位】：山东大学;
【分类号】：I106

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