新罗殊异传故事母题研究

发布时间：2018-07-05 01:10

本文选题：佛典 + 志怪　；参考：《延边大学》2013年硕士论文

【摘要】：本文以新罗殊异传故事母题研究-兼与佛典·志怪中的同类故事母题比较为研究对象,为此有必要对佛典、志怪、殊异传和母题的概念作一些说明。佛典,即有关佛教的书籍,本文着重探讨的是里面的故事—佛典故事。佛典通常分为三部分：经、律、论,也就是所谓“三藏”。也包括中国人编辑的《经律异相》、《法苑珠林》等佛教类书。许多重要的佛教文献赖以汉译佛典而保存下来。志怪是与传奇相对的概念,是以描绘鬼神怪异为内容的作品。志怪小说是中国古典小说形式之一,志怪,就是记录怪异,以记叙神异鬼怪故事传说为主体内容,产生和流行于魏晋南北朝。主要指魏晋时代产生的一种以记述神仙鬼怪为内容的小说,也可包括汉代的同类作品。朝鲜新罗时期产生了一批带有志怪、传奇性质的传说,其后被文人以汉文写作成品,其中《新罗殊异传》无非是这一时期的亮点。殊异传的遗文散见于多部文献,没有完本流传下来,但其中有若干篇分别收录在《太平通载》和《大东韵府群玉》中。殊异传收录的逸文均是以殊异性为基准而采选的,篇目杂多,样式不统一。这些逸文虽然大部分都属于志怪,但其中部分作品还表现出从志怪到传奇的过渡倾向。母题是美国著名的民间文艺学家史蒂斯·汤普森(Stith Thompson)创造的民间文学分类体系,是指民间故事、神话、叙事诗等叙事体裁的民间文学作品中反复出现的最小叙事单元。“一个母题是一个故事中最小的、能够持续存于传统中的成分。要如此它就必须具有某种不寻常的和动人的力量。绝大多数母题分为三类。其一是故事中的角色—众神、或非凡的动物,或巫婆、妖魔、神仙之类的生灵,要么甚至是传统的人物角色,如像受人怜爱的最年幼的孩子,或残忍的后母。第二类母题涉及情节的某种背景—魔术器物,不寻常的习俗,奇特的信仰。如此等等。第三类母题是那些单一的事件—它们囊括了绝大多数母题”。新罗殊异传故事母题研究-兼与佛典·志怪中的同类故事母题比较的母题研究,既要找出和证明其三者间的影响的存在,更要深入了解殊异传在接受佛教故事的构思时,如何通过汉译佛典的媒介进行间接接受或二次接受。殊异传在接受志怪、佛典故事小说的材料后,对后世文学发展起着怎样的影响与作用也将成为本文研究的一部分。
[Abstract]:In this paper, the study on the motif of Xilaoshu's different Tales-and a comparison with the motifs of the similar stories in the Buddhist chronicles, is taken as the object of study. For this reason, it is necessary to explain the concepts of Buddhism, Legend, Suejianzhuan and motif. Buddhist scriptures, that is, books about Buddhism, this article focuses on the story inside-the story of Buddhism. Buddhism is usually divided into three parts: sutra, law, theory, that is, the so-called "three Tibetan." They also include Buddhist books edited by the Chinese, such as Sutra, Zhulin, and so on. Many important Buddhist documents are preserved by translating Buddhist scriptures into Chinese. Legend is the opposite of the concept, is to portray ghosts and gods as the content of the work. As one of the forms of Chinese classical novels, it is a kind of strange recording, which takes the story of strange ghosts and spirits as its main content and is produced and popular in the Wei, Jin and the Southern and Northern dynasties. Mainly refers to the Wei and Jin dynasties produced a novel to describe the gods and ghosts as the content, including the Han Dynasty works of the same kind. A number of legends with strange and legendary nature were produced in the Silla period of Korea, which was later written by the literati in Chinese, among which Silla Sueduzhuan was nothing more than the highlight of this period. The different legacies are scattered in many documents, but some of them are included in "Taiping Tongzhong" and "Dadongyunfu Jade" respectively. The collection of Yi is based on the diversity of the selected, a variety of titles, styles are not uniform. Although most of these articles belong to the Legend, some of them also show the transition tendency from the Legend to the Legend. The motif is the classification system of folklore created by Stith Thompson, a famous American folklore. It refers to the smallest narrative unit in folklore, mythology, narrative poetry and other narrative genres. A motif is the smallest element of a story that can persist in tradition. To do so, it must have some unusual and moving power. Most motifs are divided into three categories. One is the characters in the story-the gods, or extraordinary animals, or creatures like witches, demons, immortals, or even traditional characters, such as loved youngest children, or cruel stepmothers. The second motif deals with some background to the plot-magic objects, unusual customs, strange beliefs. So wait. The third type of motif is the single event-they contain the vast majority of the motifs. The study of the motif of the different stories of Silla and the motif of the same kind of stories in the Buddhist scriptures, it is necessary to find out and prove the existence of the influence among the three, and also to understand deeply the different stories in accepting the conception of the Buddhist stories. How to accept it indirectly or twice through the medium of translating Buddhist scriptures into Chinese? After accepting the materials of the stories and novels of Buddhism, the influence and effect on the development of literature in later generations will also be a part of the research in this paper.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I106.7

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