跨越三界之试炼—《上海孤儿》中同一性的拉康—埃里克森式构建

发布时间：2018-07-08 19:56

本文选题：《上海孤儿》 + 拉康主体三界说　；参考：《四川外国语大学》2013年硕士论文

【摘要】：自《上海孤儿》问世以来，关于小说中身份问题的讨论一直不绝于耳。国内现存研究大都依托时代背景，着墨于对人物身份的后殖民解读。石黑一雄的作品避开对少数族群族裔生存状态的传统关注，注重对个体共性的刻画与勾勒。本文在结合拉康主体三界理论和埃里克森自我同一性的基础上，从个体自我同一性以及文化归属群体同一性这两个方面展开，试图对主人公班克斯的主体同一性进行内外兼顾的综合构建。剖析主体同一性在三界中的历练，我们可以融会贯通，让同一性的构建过程和拉康的无意识主体发展阶段互为参照。通过对两种发展的合理排列，本文旨在为读者展现一种新的同一性构建模式。依据主体三界说，本文将主人公的同一性发展过程划分为三个主要的阶段。鉴于这一过程，本文由三个部分组成。第一部分为序言，回顾了石黑一雄的代表作品及创作风格，《上海孤儿》的研究现状，阐释与解读了文中所涉及理论以及本文的主要论点和结构。第二部分为论文的主体，分为三章展开论述。第一章针对主体与母体分离这一现象，展示了班克斯在进入想象界后所遭遇的一系列自欺、想象和异化，同一性在想象界直面危机。第二章围绕主体在象征界中遭受来自他者的影响这个层面展开讨论，班克斯在个人及文化方面经历了一个逐渐缓慢的探索过程，也就是说，个体同一性和文化归属同一性的延缓发生在象征界中。第三章，他终于放弃了自己拯救世界这不切实际的幻想，超越实在界中主体对最初圆满状态的留恋，最终获得完整的同一性。由此可见，主体要最终获得同一性就必须跨越停滞不前，，不可重返的实在界。第三部分为论文结论，总结了论文主要内容和思路，重申了研究的论点。通过这种比较、结合的分析方法，我们可以得出一些主体发展的普遍规律。读者也可以跳脱出无意识的局限，从“第三空间”俯瞰主体发展阶段，通过超越于回归的方式成功构建同一性。
[Abstract]:Since the publication of Orphan in Shanghai, there has been a lot of discussion about identity in the novel. Most of the existing studies in China rely on the background of the times and focus on the post-colonial interpretation of the identity of the characters. Ishihiro's works avoid the traditional concern about the survival of minority ethnic groups and focus on the characterization and delineation of individual commonalities. On the basis of combining Lacan's theory of three bounds of subject and Eriksson's self-identity, this paper starts from the two aspects of individual self-identity and cultural attribution group identity. This paper attempts to construct the subjective identity of the protagonist Banks with both internal and external consideration. By analyzing the experience of subject identity in the three realms, we can make the construction process of identity and Lacan's unconscious subject development stage reference each other. Through the rational arrangement of the two kinds of development, this paper aims to show readers a new pattern of identity construction. According to the theory of subject-three-definition, this paper divides the development process of identity of protagonist into three main stages. In view of this process, this paper consists of three parts. The first part is a preface, which reviews the representative works and creative styles of Ishihiro, the current research situation of Orphan in Shanghai, and explains and interprets the theories involved in the text, as well as the main arguments and structure of this paper. The second part is the main body of the thesis, which is divided into three chapters. The first chapter aims at the phenomenon of the separation of the subject and the mother body, and shows a series of self-deception, imagination, alienation and identity encountered by Banks after entering the imagination world to face the crisis in the imagination world. The second chapter focuses on the discussion of the subject being influenced by others in the symbolic world. Banks has experienced a gradual and slow process of personal and cultural exploration, that is, The delay of individual identity and cultural identity occurs in the symbolic world. In the third chapter, he finally gives up his unrealistic fantasy of saving the world, transcends the attachment of the subject to the first perfect state in the real world, and finally obtains the complete identity. It can be seen that in order to achieve identity, the subject must cross the realm of stagnation and non-return. The third part is the conclusion of the paper, summarizes the main contents and ideas, and reiterates the research point. Through this kind of comparison, unifies the analytical method, we can obtain some main body development universal law. Readers can also jump out of the limitations of the unconscious, from the "third space" overlooking the development stage of the subject, through the way of beyond the return of the successful construction of identity.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074

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