论《大师与玛格丽特》的叙述模式
发布时间：2018-08-09 07:03
【摘要】：叙事学又译“叙述学”，是20世纪60年代西方出现的一种文学批评理论。法国叙事学家杰拉尔德·普兰斯在《叙事学》中说：“叙事学是对叙事文的形式和功能的研究”。美国叙事学家西摩·查特曼在《故事与话语》中将叙事学视为“叙事文的结构研究”。《罗伯特法语词典》对叙事学所下的定义是：“关于叙事作品叙述、叙述结构以及叙事性的理论。”有关叙事学的说法存在与其他著作和辞典，其定义虽不一致，但将叙事学看作对叙事文内在形式进行研究的理论这一点是共同的。 而叙事学中的叙述模式问题又被看成是叙事学当中的首要问题，小说的不同效果都可以归结为作家对不同叙述模式的选用。 可以说，叙述模式是构成小说的重要条件。叙述模式主要由两个部分组成：叙述者和叙述视点。叙述模式中“叙述者”的概念在叙事学里也颇为广义，如固定人物叙述者、多人物叙述者、可靠叙述者、不可靠叙述者，多视角叙述者等等。并且不管哪一种“叙述者”都拥有自己独有的叙述视点。叙述视点即叙事人是站在何种角度、以什么方式来叙事的着眼点。按美国文论家艾伯拉姆斯的定义，叙述视点是指“叙述故事的方法——作者所采用的表现方式或观点，读者由此得知构成一部虚构小说的叙述里的人物、行动、情境和事件”。叙事视点在作品中有一个基本定位，但它也可以有变动游移，使叙事有一种更广角的摄取故事内容的角度。每一位作家在着手创作自己作品的时候，视点的选用是最优先考虑的问题，视点选用的成功与否很大程度上决定了这部作品的成败。因为一个视点的选择不是那么随便的工作，必须考虑到这个视点带来的价值和意义，对于一部文学作品而言，就意味着视点给这部作品是否带来了美学值。不同的作家都有着自己独特的创作风格，这也和视点的选择息息相关。 布尔加科夫是20世纪俄罗斯文学史上一位风格独特且影响巨大的作家，他的创作风格是多维的，独特的，这和他个人的叙述风格多变是息息相关的。在其早期的作品中布尔加科夫继承了以果戈里为代表的俄罗斯讽刺文学的一种叙事模式，即通过游历、流浪的考察者来揭露社会丑恶现象。这些游历者都发挥了将各种社会丑态串联起来加以集中讽刺的叙事功能。在自己的作品中作家充分表现了自己讽刺、幻想、幽默的创作风格。 而作家的代表作《大师与玛格丽特》这部小说的叙述风格则是一个创新之举——把两种不同的叙述风格融于一部作品中。《大师和玛格丽特》是一部双重小说，两千年的时间间隔划分了两部小说的情节发展线，且两部小说所采用的叙述风格是迥然不同的。《大师与玛格丽特》就是这样一部融合了两种截然不同的叙述风格的作品。作者在对叙述模式的使用、转换上也达到了艺术效果的最大化。在布尔加科夫的小说里，不难看到“自由、神秘主义与讽刺”的影子，而作家正是巧妙地运用了叙述模式上的技巧来达到了这些创作的目的。 布尔加科夫对各种不同的艺术表现形式和手法做了艰苦细致的探索，形成了其多元化的艺术手法。其中叙述角度和风格的多样化是这部小说的最具独特的地方，布尔加科夫小说突破了传统小说单一的、固定不变的叙述角度和叙述视点，而转向多元的、随时可以转变的角度和视点，使小说达到了反讽的艺术效果，传达了作者的道德价值观。这是布尔加科夫小说对传统情节小说在结构方式上的大胆创新。 综上所述，布尔加科夫的小说《大师和玛格丽特》在艺术结构方面的确做到了形式和内容的统一、继承与创新的统一，为小说美学结构的发展起到了承前启后的作用。同样，叙述学理论也可以运用到其他文学作品当中，，并通过这样的分析，理解叙事对作品重要的意义。 本论文的现实意义在于：1）系统研究小说《大师与玛格丽特》叙述模式的文章还不多；2）分析小说中的叙述模式对于了解作家的创作特点和美学效果至关重要。 本论文的学术新意在于：1）系统分析小说《大师与玛格丽特》中的叙述人称和视点问题；2）研究了小说中不同叙述模式艺术效果。 本论文的理论意义是：1）从叙述人称和叙述视点角度分析小说《大师与玛格丽特》，有助于深层次地理解布尔加科夫的作品，了解作者的世界观；2）本论文弥补了对小说《大师与玛格丽特》研究中的不足。 本论文的实践意义在于：本文的研究成果有助于对布尔加科夫感兴趣和喜爱俄罗斯文学的人们更深刻地了解布尔加科夫的创作特色。 本论文的研究对象是布尔加科夫小说《大师与玛格丽特》，研究目的是分析小说中的叙述人称和叙述视点，试图深入探讨小说复杂的叙述模式。 本论文的结构是由引言、正文（四章）、结语和参考文献构成。 引言部分简述了叙述学的发展和叙述模式的基本概念和种类，以及布尔加科夫创作特色，交代了本论文的选题理由、现实意义、学术新意、研究对象、理论意义、实践意义和研究目的，并简述了论文结构。 正文第一章概述叙事学的产生和发展以及叙述模式中叙述人称和叙述视点的概念。 第二章由两小节构成，分别从布尔加科夫的总体叙述风格和《大师与玛格丽特》的叙述风格进行介绍。 第三章分为三小节，从《大师与玛格丽特》中莫斯科故事的叙述人称和视点以及叙述模式的转换进行分别分析，并且总结。 第四章由三小节构成，从《大师与玛格丽特》中耶路撒冷故事中进行人称和视点的分析。 结语部分回顾全文得出以下结论： 通过分析《大师与玛格丽特》这部小说的叙述模式，我们发现，由于小说中有大量的讽刺性话语，所以在莫斯科故事中有一位带着主观色彩的不可靠叙述者，但是他同时也具有全知的视角范围，所以读者可以在他带有可信的话语中找到作品中的可靠性成分。同时，在古代耶路撒冷故事中，叙述者是一位客观的叙述者，并且严格地控制着读者的视野范围。在古代故事中，叙述者的话语是真实的、可靠的。 1.叙述模式理论是文学理论研究的新方向。叙述模式有两个重要的组成因素：叙述人称和叙述视点。在叙述人称和叙述视点的相互作用下会产生不同的叙述模式，从而使作品产生不同的艺术效果。所以叙述模式的选择是作家的首要而且重要任务。 2.布尔加科夫有自己独特的叙述风格，而这种风格在作品《大师与玛格丽特》里显示得尤为突出。 1)可以认为布尔加科夫是一位很主观的作家。他从不会用直接的方式去描写一项事物，在创作自己的艺术世界时，作家一直在寻找可以展现自己独特性的方式。作家的这种态度毫无疑问地让他拒绝一切教条性的独白。在生活以及作品中的多声部特色已经成为作家创作的代表。 2)《大师与玛格丽特》是一部双重小说，小说中的二维性是小说叙述风格的一大特色。分层和发散的叙述风格反映出作家对世界整体和明确的判断。小说的叙述风格别出心裁。在布尔加科夫的作品里，不同风格的“道德说教”也是引人注目的。这种风格也形成了作家独特的二维风，使它成为了艺术世界里的表现手段。 3.《大师与玛格丽特》中现代莫斯科故事的叙述模式是独特的。作家使用了两种不同的叙述人称和叙述视点。 1)在莫斯科故事里，存在着一个叙述者“我”，尽管这个叙述者时而出现，但是事实上，莫斯科故事是以第三人称为叙述主导。 2)在莫斯科故事里也存在着两种不同的叙述视点，有时为了达到讽刺效果使用限知的、不可靠的叙述；有时为了传达作者的道德思想，采用了全知、可靠叙述。特别是作者巧妙地运用这两种视点的转换，很好地结合了讽刺性和抒情性。 3)莫斯科故事里有着明显的叙述模式转换，这种混合的叙述模式打破了以前传统的、单一的叙述模式。 4.《大师与玛格丽特》中古代耶路撒冷故事的叙述模式显得严肃和庄严。 1)在古代耶路撒冷故事的背景下，内容显得格外真实。所以作家选用了第三人称全知的叙述模式。 2)作家不允许在古代耶路撒冷故事里出现一个具有强烈主观色彩的叙述者，所以叙述模式在这里显得格外精炼。 3)布尔加科夫采用了严格的现实手法，使古代耶路撒冷故事的内容真实可靠。 这里我们可以做个总结，《大师与玛格丽特》这部作品采用了不同的叙述模式。首先，在现代莫斯科故事里，作者选用了两种叙述人称——第一人称和第三人称，使内容既主观又客观，一方面，作品显得生动活泼；另一方面，使得作品真实、可靠。而在古代耶路撒冷故事中，作者采用第三人称叙述模式，使作品尤为客观，正好符合当时严肃的历史气氛。 而《大师与玛格丽特》这部作品的最大特色是不同叙述模式的转换，这种叙述模式转换不仅是创作的难点，也是创作的革新。
[Abstract]:Narratology, which translates "narratology", is a literary criticism theory in the West in the 1960s. French narratologist Gerald Prance said in Narratology: "narratology is a study of the form and function of the narrative text". American narratologist Seymour Chatman considered narratology as "Narration" in the story and discourse. The structural study of the text. Robert's French Dictionary defines the Narratology as: "narrative, narrative structure and narrative theory." narratology exists with other books and dictionaries. Although the definition is inconsistent, narratology is regarded as the theory of the study of the inner form of the narrative. It's common.
The narrative pattern in narratology is also regarded as the first problem in narratology. The different effects of the novel can be attributed to the writer's choice of different narrative modes.
Narrative mode is an important condition to form a novel. Narrative mode is composed of two parts: narrator and narrative view. The concept of "narrator" in narrative mode is also quite broad in narratology, such as fixed character narrator, multi character narrator, reliable narrator, unreliable narrator, multi angle narrator and so on. No matter what kind of "narrator" has its own unique narrative point of view, the narrative point of view is the point of view that the narrator stands and what way to narrative. According to the definition of Abrams, an American literary theorist, the narrative point of view is "the method of narrating the story - the way of expression or the point of view the author uses." Knowledge constitutes the characters, actions, situations and events in the narrative of a fictional novel. The narrative point of view has a basic position in the work, but it can also have variable wandering, making the narrative a more wide angle of the content of the story. Every writer's choice of viewpoint is the first priority when he begins to create his own work. The success or failure of the point of view determines the success or failure of the work to a great extent. Because the choice of a point of view is not so casual, it must take into account the value and significance of the point of view. For a literary work, it means that the point of view has brought aesthetic value to the work. With their unique style of writing, this is also closely related to the choice of viewpoints.
Bulgakov is a writer with a unique style and great influence in the history of Russian literature in the twentieth Century. His creative style is multidimensional and unique, which is closely related to his personal narrative style. In his early works, Bulgakov inherited a narrative model of Russian satire represented by Gogol. Style, that is, through travel, wandering investigators to expose the social evils. These visitors have played a series of social ugliness in series to concentrate the satirical narrative function. In his own works, the writer fully displays his own satirical, fantasy, and humorous creative style.
The narrative style of the writer's masterpiece "master and Margaret >" is an innovative approach - integrating two different narrative styles into one work. "Master and Margaret" is a double novel. The interval between two thousand years is divided into the plot line of two novels and the narrative style adopted in the two novels. It is quite different. "Master and Margaret" is such a combination of two different styles of narration. The author uses the narrative pattern to maximize the artistic effect. In Bulgakov's novels, it is not difficult to see the shadow of "freedom, mysticism and Satire", and the writer is Skillfully using the skills of narrative mode to achieve the purpose of these creations.
Bulgakov made a hard and painstaking exploration of various forms and techniques of artistic expression, and formed its diversified artistic techniques. Among them, the diversification of narrative angle and style is the most unique place in this novel. Bulgakov's novel breaks through the traditional novel single, fixed narrative angle and narrative viewpoint, The turning angle and view at any time can make the novel achieve the artistic effect of irony and convey the moral values of the author. This is the bold innovation of the traditional plot novel in Bulgakov's novel.
To sum up, Bulgakov's novel, "master and Margaret", did achieve the unity of form and content in the artistic structure, the unity of inheritance and innovation, and played an important role in the development of the aesthetic structure of the novel. Similarly, the theory of narratology can also be used in other literary works, and through such analysis, Understand the importance of narrative to the work.
The practical significance of this thesis lies in: 1) there are not many articles in the systematic study of the novel < master and Margaret > narrative mode; 2) the analysis of the narrative pattern in the novel is of great importance to the understanding of the writer's creative characteristics and aesthetic effects.
The new ideas of this thesis are as follows: 1) systematic analysis of the narrator and the point of view in the novel < master and Margaret >; 2) study the artistic effect of different narrative patterns in the novel.
The theoretical significance of this thesis is: 1) the analysis of the novel < master and Margaret > from the perspective of narrative person and narrative point of view is helpful to understand Bulgakov's works deeply and understand the author's world outlook; 2) this paper makes up for the deficiency in the study of the novel < master and Margaret >.
The practical significance of this thesis is that the research results of this article will help people who are interested in Bulgakov and love Russian literature to understand Bulgakov's creative features more deeply.
The object of this thesis is Bulgakov's novels, master and Margaret. The purpose of this study is to analyze the narrator and the narrative point of view in the novel, and try to explore the complex narrative mode of the novel.
The structure of this thesis is composed of introduction, main body (four chapters), epilogue and references.
The introduction gives a brief description of the development of narratology and the basic concepts and types of narrative mode, as well as the characteristics of Bulgakov's creation, and explains the reasons for the topic, the practical significance, the new academic meaning, the research object, the theoretical significance, the practical significance and the purpose of the research, and briefly describes the structure of the paper.
The first chapter outlines the emergence and development of narratology and the concept of narrator and narrative viewpoint in narrative mode.
The second chapter is composed of two sections, which are the general narrative style of Bulgakov and the narrative style of The Master and Margaret.
The third chapter is divided into three sections, which are analyzed separately from the narrative person and view and the conversion of narrative mode in the story of master and Margaret in Moscow.
The fourth chapter is composed of three stanzas, which are analyzed from the Jerusalem story of master and Margaret.
The concluding part reviews the full text to draw the following conclusions:
By analyzing the narrative pattern of the novel "master and Margaret", we find that there is an unreliable narrator with a subjective color in the story of Moscow, but he also has an omniscient angle of view in the story of Moscow. In the ancient Jerusalem story, the narrator is an objective narrator and strictly controls the scope of the reader's field of vision. In the ancient story, the narrator's discourse is true and reliable.
1. narrative mode theory is a new direction in the study of literary theory. There are two important components in narrative mode: narrative person and narrative view. Different narrative modes will be produced under the interaction of narrating person and narrative point of view, thus making different artistic effects. The choice of narrative mode is the first of the writers. And important tasks.
2. Bulgakov has his own unique narrative style, which is particularly prominent in the works Master and Margaret.
1) Bulgakov can be regarded as a very subjective writer. He never describes a thing in a direct way. In the creation of his own artistic world, the writer has been looking for a way to show his own uniqueness. This attitude of the writer makes him no doubt all the dogmatic monologues. In life and in his works The multi voice feature has become the representative of writer's creation.
2) "master and Margaret" is a double novel. The two-dimensional character in the novel is a major feature of the narrative style. The stratified and divergent narrative style reflects the writer's overall and clear judgment on the world. The narrative style of the novel is unique. In Bulgakov's works, the different styles of "moral preaching" are also a note. This style has also formed the unique two-dimensional wind of the writer, making it a means of expression in the artistic world.
3. The narrative mode of the modern Moscow story in The Master and Margaret is unique. The writer uses two different narrative perspectives.
1) in the Moscow story, there is a narrator "me", although the narrator appears sometimes, but in fact, the Moscow story is dominated by the narrative in the third person.
2) there are two different narrative viewpoints in the Moscow story, sometimes to use the limited and unreliable narration in order to achieve satire. Sometimes, in order to convey the author's moral ideas, the author uses all knowledge and reliable narration. In particular, the author skillfully uses the conversion of the two points of view, which combines satire and lyricism well.
3) There is an obvious transformation of narrative mode in Moscow stories, which breaks the traditional, single narrative mode.
The narration mode of ancient Jerusalem stories in 4.< and Margaret is solemn and solemn.
1) In the context of the ancient Jerusalem story, the content appears particularly true. So the writer chooses the third person omniscient narrative mode.
2) Writers do not allow a strong subjective narrator to appear in the ancient Jerusalem story, so the narrative pattern is particularly refined here.
3) Bulgakov adopted strict realistic techniques to make the contents of the ancient Jerusalem stories true and reliable.
Here we can make a summary, "master and Margaret >" this work uses a different narrative mode. First, in the modern Moscow story, the author chooses two kinds of narrator - the first person and the third person, which make the content both subjective and objective, on the one hand, the work is lively; on the other hand, make the work true. In the ancient Jerusalem story, the author adopts the third person narrative mode, which makes the work more objective and just accords with the serious historical atmosphere at that time.
The greatest feature of "master and Margaret" is the transformation of different narrative modes, which is not only the difficulty of the creation, but also the innovation of the creation.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.074
本文编号：2173281
[Abstract]:Narratology, which translates "narratology", is a literary criticism theory in the West in the 1960s. French narratologist Gerald Prance said in Narratology: "narratology is a study of the form and function of the narrative text". American narratologist Seymour Chatman considered narratology as "Narration" in the story and discourse. The structural study of the text. Robert's French Dictionary defines the Narratology as: "narrative, narrative structure and narrative theory." narratology exists with other books and dictionaries. Although the definition is inconsistent, narratology is regarded as the theory of the study of the inner form of the narrative. It's common.
The narrative pattern in narratology is also regarded as the first problem in narratology. The different effects of the novel can be attributed to the writer's choice of different narrative modes.
Narrative mode is an important condition to form a novel. Narrative mode is composed of two parts: narrator and narrative view. The concept of "narrator" in narrative mode is also quite broad in narratology, such as fixed character narrator, multi character narrator, reliable narrator, unreliable narrator, multi angle narrator and so on. No matter what kind of "narrator" has its own unique narrative point of view, the narrative point of view is the point of view that the narrator stands and what way to narrative. According to the definition of Abrams, an American literary theorist, the narrative point of view is "the method of narrating the story - the way of expression or the point of view the author uses." Knowledge constitutes the characters, actions, situations and events in the narrative of a fictional novel. The narrative point of view has a basic position in the work, but it can also have variable wandering, making the narrative a more wide angle of the content of the story. Every writer's choice of viewpoint is the first priority when he begins to create his own work. The success or failure of the point of view determines the success or failure of the work to a great extent. Because the choice of a point of view is not so casual, it must take into account the value and significance of the point of view. For a literary work, it means that the point of view has brought aesthetic value to the work. With their unique style of writing, this is also closely related to the choice of viewpoints.
Bulgakov is a writer with a unique style and great influence in the history of Russian literature in the twentieth Century. His creative style is multidimensional and unique, which is closely related to his personal narrative style. In his early works, Bulgakov inherited a narrative model of Russian satire represented by Gogol. Style, that is, through travel, wandering investigators to expose the social evils. These visitors have played a series of social ugliness in series to concentrate the satirical narrative function. In his own works, the writer fully displays his own satirical, fantasy, and humorous creative style.
The narrative style of the writer's masterpiece "master and Margaret >" is an innovative approach - integrating two different narrative styles into one work. "Master and Margaret" is a double novel. The interval between two thousand years is divided into the plot line of two novels and the narrative style adopted in the two novels. It is quite different. "Master and Margaret" is such a combination of two different styles of narration. The author uses the narrative pattern to maximize the artistic effect. In Bulgakov's novels, it is not difficult to see the shadow of "freedom, mysticism and Satire", and the writer is Skillfully using the skills of narrative mode to achieve the purpose of these creations.
Bulgakov made a hard and painstaking exploration of various forms and techniques of artistic expression, and formed its diversified artistic techniques. Among them, the diversification of narrative angle and style is the most unique place in this novel. Bulgakov's novel breaks through the traditional novel single, fixed narrative angle and narrative viewpoint, The turning angle and view at any time can make the novel achieve the artistic effect of irony and convey the moral values of the author. This is the bold innovation of the traditional plot novel in Bulgakov's novel.
To sum up, Bulgakov's novel, "master and Margaret", did achieve the unity of form and content in the artistic structure, the unity of inheritance and innovation, and played an important role in the development of the aesthetic structure of the novel. Similarly, the theory of narratology can also be used in other literary works, and through such analysis, Understand the importance of narrative to the work.
The practical significance of this thesis lies in: 1) there are not many articles in the systematic study of the novel < master and Margaret > narrative mode; 2) the analysis of the narrative pattern in the novel is of great importance to the understanding of the writer's creative characteristics and aesthetic effects.
The new ideas of this thesis are as follows: 1) systematic analysis of the narrator and the point of view in the novel < master and Margaret >; 2) study the artistic effect of different narrative patterns in the novel.
The theoretical significance of this thesis is: 1) the analysis of the novel < master and Margaret > from the perspective of narrative person and narrative point of view is helpful to understand Bulgakov's works deeply and understand the author's world outlook; 2) this paper makes up for the deficiency in the study of the novel < master and Margaret >.
The practical significance of this thesis is that the research results of this article will help people who are interested in Bulgakov and love Russian literature to understand Bulgakov's creative features more deeply.
The object of this thesis is Bulgakov's novels, master and Margaret. The purpose of this study is to analyze the narrator and the narrative point of view in the novel, and try to explore the complex narrative mode of the novel.
The structure of this thesis is composed of introduction, main body (four chapters), epilogue and references.
The introduction gives a brief description of the development of narratology and the basic concepts and types of narrative mode, as well as the characteristics of Bulgakov's creation, and explains the reasons for the topic, the practical significance, the new academic meaning, the research object, the theoretical significance, the practical significance and the purpose of the research, and briefly describes the structure of the paper.
The first chapter outlines the emergence and development of narratology and the concept of narrator and narrative viewpoint in narrative mode.
The second chapter is composed of two sections, which are the general narrative style of Bulgakov and the narrative style of The Master and Margaret.
The third chapter is divided into three sections, which are analyzed separately from the narrative person and view and the conversion of narrative mode in the story of master and Margaret in Moscow.
The fourth chapter is composed of three stanzas, which are analyzed from the Jerusalem story of master and Margaret.
The concluding part reviews the full text to draw the following conclusions:
By analyzing the narrative pattern of the novel "master and Margaret", we find that there is an unreliable narrator with a subjective color in the story of Moscow, but he also has an omniscient angle of view in the story of Moscow. In the ancient Jerusalem story, the narrator is an objective narrator and strictly controls the scope of the reader's field of vision. In the ancient story, the narrator's discourse is true and reliable.
1. narrative mode theory is a new direction in the study of literary theory. There are two important components in narrative mode: narrative person and narrative view. Different narrative modes will be produced under the interaction of narrating person and narrative point of view, thus making different artistic effects. The choice of narrative mode is the first of the writers. And important tasks.
2. Bulgakov has his own unique narrative style, which is particularly prominent in the works Master and Margaret.
1) Bulgakov can be regarded as a very subjective writer. He never describes a thing in a direct way. In the creation of his own artistic world, the writer has been looking for a way to show his own uniqueness. This attitude of the writer makes him no doubt all the dogmatic monologues. In life and in his works The multi voice feature has become the representative of writer's creation.
2) "master and Margaret" is a double novel. The two-dimensional character in the novel is a major feature of the narrative style. The stratified and divergent narrative style reflects the writer's overall and clear judgment on the world. The narrative style of the novel is unique. In Bulgakov's works, the different styles of "moral preaching" are also a note. This style has also formed the unique two-dimensional wind of the writer, making it a means of expression in the artistic world.
3. The narrative mode of the modern Moscow story in The Master and Margaret is unique. The writer uses two different narrative perspectives.
1) in the Moscow story, there is a narrator "me", although the narrator appears sometimes, but in fact, the Moscow story is dominated by the narrative in the third person.
2) there are two different narrative viewpoints in the Moscow story, sometimes to use the limited and unreliable narration in order to achieve satire. Sometimes, in order to convey the author's moral ideas, the author uses all knowledge and reliable narration. In particular, the author skillfully uses the conversion of the two points of view, which combines satire and lyricism well.
3) There is an obvious transformation of narrative mode in Moscow stories, which breaks the traditional, single narrative mode.
The narration mode of ancient Jerusalem stories in 4.< and Margaret is solemn and solemn.
1) In the context of the ancient Jerusalem story, the content appears particularly true. So the writer chooses the third person omniscient narrative mode.
2) Writers do not allow a strong subjective narrator to appear in the ancient Jerusalem story, so the narrative pattern is particularly refined here.
3) Bulgakov adopted strict realistic techniques to make the contents of the ancient Jerusalem stories true and reliable.
Here we can make a summary, "master and Margaret >" this work uses a different narrative mode. First, in the modern Moscow story, the author chooses two kinds of narrator - the first person and the third person, which make the content both subjective and objective, on the one hand, the work is lively; on the other hand, make the work true. In the ancient Jerusalem story, the author adopts the third person narrative mode, which makes the work more objective and just accords with the serious historical atmosphere at that time.
The greatest feature of "master and Margaret" is the transformation of different narrative modes, which is not only the difficulty of the creation, but also the innovation of the creation.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.074
【参考文献】
相关期刊论文 前1条
1 袁蔚;《当代英雄》叙事角度解读[J];湖州师范学院学报;2004年05期
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