“疯女人”：女性创作与文本的阴性隐喻
发布时间：2018-09-18 11:57
【摘要】：本文是以“疯女人”为切入点,系统地探讨了女作家创作以及她们的作品中所渗透的疯狂因子,本文的书写结构如下： 首先,在绪论部分作总体研究现状的阐述：对疯狂进行纵观把握,在一个大的背景下叙述疯狂与女性文学之间的渊源关系,主要是从疯狂与女性气质画上等号,成为阴性隐喻这一事实出发,从前人成果那里寻找研究的可能性。 其次,在论文的第一部分,即第一章,是理论上的支架,这就为接下来论文的主体部分提供了背景、出发点和学理依据,主要包括三节,第一节包括疯狂的文学意义和性别话语中的疯狂书写,为了对“疯女人”形象作一细致的考查,我在此节中分别作三个方面的探讨,分别为男性作家对“疯女人”的描述与期待,男性作家对“疯男人”的描述与期待,女性作家对于“疯男人”的描述与期待及女性作家对疯女人的描述与期待。鉴于本文考察的对象在于文学妇女的“疯女人”书写,我认为,只有考察了相反面：男性作家关于“疯女人”、“疯男”的书写,女性作家关于“疯男”的书写,才能更全面、更准确的说明问题,在这一小节中,我就男性作家对“疯女”、“疯男”的描述与期待做一细致的归纳,而考察女作家对于“疯女人”的情况则留在后面的章节去总结；第二节是疯狂的隐喻,从女性性别及作家这双重身份的角度上去考察女性作家面临的真实困境及隐秘的创作动机；第三节为纳入女权文论的“疯女人”,女性主义文学批评对“疯女人”形象的理解,还是因为1979年桑德拉·吉尔伯特和苏珊·格巴合著的《阁楼上的疯女人》的问世,它从禁锢——作者身份焦虑——应对策略这一路径出发,讨论妇女作家群都力图逃避父权制文化对她们的限制,在书写中都采取了“替身”即“疯女人”的策略。 再次,论文的主体部分,包括二、三、四这三章,二、三这两章主要是从女性作家创作和具体作品层面出发,去探究作家隐秘的创作动机：在极端压抑的男权文化统治情境下,智慧的女作家们在显性文本中对正统的文化权利表达出一种“顺从”的表面认可,模糊或隐去深层的意义,而在隐形文本中却借“疯女人”的真相如实表达自己的愤怒与反抗。第四章是从作品层面出发,结合第三章中20世纪中国女性作家的作品、西方经典“疯女人”小说为例,剖析了具体的疯女人形象,以及作家文本中所渗透出的关于疯女发疯的缘由以及对疯狂的消解方式。 最后,我探讨了疯女形象塑造的意义,疯女形象打开了女性自我探索,建构女性自身主体性的大门,但不管是妇女作家还是普通读者,都深切的意识到：在疯狂的背后,只能是悲哀、可怜的人生,我们唯一能做的只能是保证自身的强大,在新时代更加复杂的社会情境中,更加关注女性自身,正确处理三个世界(内心世界；两性世界；男女共同面对的客观世界)的关系,男女两性关系的积极构建,才是我们所要追寻的正确方向。
[Abstract]:This paper is based on "mad women" as a breakthrough point, systematically discusses the creation of women writers and their works in the infiltration of crazy factors, the writing structure of this article is as follows:
First of all, in the introduction part of the overall study of the status quo elaborated: a general grasp of madness, in a large context of the relationship between madness and women's literature, mainly from the madness and women temperament painting equal sign, become a negative metaphor of this fact, from the previous achievements to find the possibility of research.
Secondly, in the first part of the paper, the first chapter, is the theoretical framework, which provides the background, starting point and theoretical basis for the main part of the next paper, mainly including three sections, the first section includes the literary meaning of madness and the crazy writing in gender discourse, in order to make a detailed examination of the image of "mad woman", I hereby This section discusses three aspects respectively: the description and expectation of "mad woman" by male writers, the description and expectation of "mad man" by male writers, the description and expectation of "mad man" by female writers, and the description and expectation of "mad woman" by female writers. Man's writing, I think, can only be explained more comprehensively and accurately by examining the opposite side: the writing of "mad woman" and "mad man" by male writers, and the writing of "mad man" by female writers. In this section, I make a detailed summary of the description and expectation of "mad woman" and "mad man" by male writers. The second section is the metaphor of madness, examining the real dilemma and hidden creative motives faced by female writers from the perspective of female gender and writer's dual identity; the third section is the "mad woman" brought into feminist literary theory and feminist literary criticism. The understanding of the image of "mad women" is still due to the publication of "mad women in the attic" by Sandra Gilbert and Susan Gerba in 1979. From the path of imprisonment - author identity anxiety - coping strategies, it is discussed that women writers try to escape the restrictions imposed by patriarchal culture and adopt them in their writing. The strategy of "doubles" or "crazy women".
Thirdly, the main part of the paper, including two, three, four chapters, two, three chapters mainly from the female writers'creation and specific work level, to explore the author's secret creative motivation: in the extremely oppressive situation of patriarchal cultural domination, wise women writers in the dominant text of the orthodox cultural rights to express a "smooth" From the surface of recognition, vague or hidden deep meaning, but in the invisible text by the "mad woman" truth to express their anger and resistance. Chapter IV from the perspective of works, combined with the works of Chinese women writers in the third chapter of the 20th century, Western classic "mad woman" novels as an example, analyzes the specific shape of mad women. Elephants, as well as the reasons for madness and the way to dispel madness in the author's text.
Finally, I discuss the significance of the image of mad women. The image of mad women opens the door for women to explore themselves and construct their own subjectivity. However, both women writers and ordinary readers are deeply aware that behind the madness, we can only be sad, poor life, and the only thing we can do is to ensure our own strength. In the more complicated social situation of the new era, we should pay more attention to women themselves, correctly deal with the relationship among the three worlds (inner world; gender world; objective world faced by both men and women), and actively construct the relationship between men and women, which is the correct direction we should pursue.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I106
本文编号：2247832
[Abstract]:This paper is based on "mad women" as a breakthrough point, systematically discusses the creation of women writers and their works in the infiltration of crazy factors, the writing structure of this article is as follows:
First of all, in the introduction part of the overall study of the status quo elaborated: a general grasp of madness, in a large context of the relationship between madness and women's literature, mainly from the madness and women temperament painting equal sign, become a negative metaphor of this fact, from the previous achievements to find the possibility of research.
Secondly, in the first part of the paper, the first chapter, is the theoretical framework, which provides the background, starting point and theoretical basis for the main part of the next paper, mainly including three sections, the first section includes the literary meaning of madness and the crazy writing in gender discourse, in order to make a detailed examination of the image of "mad woman", I hereby This section discusses three aspects respectively: the description and expectation of "mad woman" by male writers, the description and expectation of "mad man" by male writers, the description and expectation of "mad man" by female writers, and the description and expectation of "mad woman" by female writers. Man's writing, I think, can only be explained more comprehensively and accurately by examining the opposite side: the writing of "mad woman" and "mad man" by male writers, and the writing of "mad man" by female writers. In this section, I make a detailed summary of the description and expectation of "mad woman" and "mad man" by male writers. The second section is the metaphor of madness, examining the real dilemma and hidden creative motives faced by female writers from the perspective of female gender and writer's dual identity; the third section is the "mad woman" brought into feminist literary theory and feminist literary criticism. The understanding of the image of "mad women" is still due to the publication of "mad women in the attic" by Sandra Gilbert and Susan Gerba in 1979. From the path of imprisonment - author identity anxiety - coping strategies, it is discussed that women writers try to escape the restrictions imposed by patriarchal culture and adopt them in their writing. The strategy of "doubles" or "crazy women".
Thirdly, the main part of the paper, including two, three, four chapters, two, three chapters mainly from the female writers'creation and specific work level, to explore the author's secret creative motivation: in the extremely oppressive situation of patriarchal cultural domination, wise women writers in the dominant text of the orthodox cultural rights to express a "smooth" From the surface of recognition, vague or hidden deep meaning, but in the invisible text by the "mad woman" truth to express their anger and resistance. Chapter IV from the perspective of works, combined with the works of Chinese women writers in the third chapter of the 20th century, Western classic "mad woman" novels as an example, analyzes the specific shape of mad women. Elephants, as well as the reasons for madness and the way to dispel madness in the author's text.
Finally, I discuss the significance of the image of mad women. The image of mad women opens the door for women to explore themselves and construct their own subjectivity. However, both women writers and ordinary readers are deeply aware that behind the madness, we can only be sad, poor life, and the only thing we can do is to ensure our own strength. In the more complicated social situation of the new era, we should pay more attention to women themselves, correctly deal with the relationship among the three worlds (inner world; gender world; objective world faced by both men and women), and actively construct the relationship between men and women, which is the correct direction we should pursue.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I106
【参考文献】
相关期刊论文 前10条
1 王蒙;极限写作与无边的现实主义[J];读书;2002年06期
2 陈骏涛;夏娃言说——近年几部女性文学理论批评著作评说[J];南方文坛;2004年05期
3 宫爱玲;;境界线美学——现代中国文学中精神病书写的美学特征探析[J];重庆三峡学院学报;2008年05期
4 佘艳春;女性主体性确证的历史循环[J];山东师范大学学报(人文社会科学版);2005年02期
5 陈晓兰;;现代中国“疯狂”观念的衍变——中国现当代文学中的狂人与疯子[J];上海文学;2005年12期
6 曹书文;当代家族小说的性别审视[J];武汉大学学报(人文科学版);2005年03期
7 李娥;;现代文学中的“疯子”群像的隐喻及其原型流变[J];文教资料;2006年23期
8 温奉桥;李萌羽;;精神生态视野中的20世纪中国文学[J];文史哲;2006年04期
9 施津菊;女性文学的主体性建构与社会认同[J];文艺争鸣;2004年06期
10 季红真;;母系家族史的写作与焦虑[J];文艺争鸣;2007年04期
，本文编号：2247832
本文链接：https://www.wllwen.com/yingmeiwenxuelunwen/2247832.html
