探析芥川龙之介作品中的中国女性形象
发布时间：2018-10-13 09:59
【摘要】：芥川龙之介（1892-1927）是日本大正时期著名的短篇小说家，他不仅是日本文坛上一面不朽的旗帜，也在世界文学史上占据重要的位置。他有诸多的作品是取材于中国古典小说，或者以中国为舞台的，所以大量的中国研究者对“芥川龙之介与中国”这个课题投入了特别关注。 本文以芥川龙之介的中国旅行为界，将其作品中的中国女性形象分三个时期进行归纳和总结，，分别讨论不同时期的不同形象所表现出来的人物特征、思想意义和审美需求，进而探寻作家的人生观、艺术观，以及中国旅行给作家带来的中国认识的变迁和对作家创作生涯的影响。 在中国旅行之前的作品中，本文主要讨论《南京的基督》、《杜子春》、《奇异的重逢》和《奇遇》中的中国女性形象，她们是基于芥川的中国古典文学阅读经验加之美好的想象创作出来的，承载着芥川对美好感情的追求以及对中国的最初幻想。在围绕中国旅行创作的作品中，本文将主要讨论《中国游记》中的中国女性形象。她们是在芥川亲自来到中国时，与中国女性有了近距离的接触后创作出来的，表现了芥川对现代中国女性的态度以及从中折射出的对现代中国的认识。在中国旅行之后的作品中，本文收集了《来自第四丈夫的信》、《春夜》和《仙女》中的中国女性形象。她们身上反映了芥川提出的“野性美”的文艺观，和芥川自杀前的内心世界。 中国女性形象作为芥川文学中的一个特殊群体，是随着作家创作动因的变化而变化的，通过摸索她们的发展轨迹，可以在一定程度上窥视芥川各个时期的现实生活遭遇和精神世界。本文以文本为基础，不仅仔细研读含有中国女性形象的各个作品，而且大量查阅芥川的评论和书简并从中寻找论据，力求做到论证全面详实，有理有据。
[Abstract]:Akutagawa Lung-suke (1892-1927) is a famous short story writer in Taisho period of Japan. He is not only an immortal banner in Japanese literary circles, but also occupies an important position in the history of world literature. Many of his works are based on classical Chinese novels, or take China as the stage, so a large number of Chinese researchers have devoted special attention to the subject of "Shuigaochuan Longsuke and China". Based on the Chinese travel of Akutagawa, this paper sums up and summarizes the Chinese female images in his works in three periods, and discusses the character characteristics, ideological significance and aesthetic needs of different images in different periods, respectively. Then it explores the writer's outlook on life, art, and the changes of Chinese cognition and the influence on the writer's writing career brought by Chinese travel. In the works before the trip to China, this paper mainly discusses the images of Chinese women in Christ in Nanjing, du Zichun, strange reunion, and adventure of China. They are based on the reading experience of Chinese classical literature and beautiful imagination, carrying the pursuit of good feelings and the initial fantasy of China. In the works about travel in China, this paper mainly discusses the Chinese female images in Journey to China. When they came to China in person, they had close contact with Chinese women, which showed their attitude towards modern Chinese women and their understanding of modern China. In the works after the trip to China, this paper collects the images of Chinese women in letter from the fourth husband, Spring Night and Fairy. They reflect the "wild beauty" of literature and art, and the inner world before his suicide. As a special group in the literature of mustard River, the image of Chinese women changes with the change of writers' creative motivation. To a certain extent, we can peep into the real life experience and spiritual world of different periods in Mustarkawa. Based on the text, this paper not only carefully studies the various works containing the images of Chinese women, but also reads a large number of comments and book slips of Akugawa and finds the arguments from them, in order to make the argumentation comprehensive, detailed and reasonable.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074
本文编号：2268192
[Abstract]:Akutagawa Lung-suke (1892-1927) is a famous short story writer in Taisho period of Japan. He is not only an immortal banner in Japanese literary circles, but also occupies an important position in the history of world literature. Many of his works are based on classical Chinese novels, or take China as the stage, so a large number of Chinese researchers have devoted special attention to the subject of "Shuigaochuan Longsuke and China". Based on the Chinese travel of Akutagawa, this paper sums up and summarizes the Chinese female images in his works in three periods, and discusses the character characteristics, ideological significance and aesthetic needs of different images in different periods, respectively. Then it explores the writer's outlook on life, art, and the changes of Chinese cognition and the influence on the writer's writing career brought by Chinese travel. In the works before the trip to China, this paper mainly discusses the images of Chinese women in Christ in Nanjing, du Zichun, strange reunion, and adventure of China. They are based on the reading experience of Chinese classical literature and beautiful imagination, carrying the pursuit of good feelings and the initial fantasy of China. In the works about travel in China, this paper mainly discusses the Chinese female images in Journey to China. When they came to China in person, they had close contact with Chinese women, which showed their attitude towards modern Chinese women and their understanding of modern China. In the works after the trip to China, this paper collects the images of Chinese women in letter from the fourth husband, Spring Night and Fairy. They reflect the "wild beauty" of literature and art, and the inner world before his suicide. As a special group in the literature of mustard River, the image of Chinese women changes with the change of writers' creative motivation. To a certain extent, we can peep into the real life experience and spiritual world of different periods in Mustarkawa. Based on the text, this paper not only carefully studies the various works containing the images of Chinese women, but also reads a large number of comments and book slips of Akugawa and finds the arguments from them, in order to make the argumentation comprehensive, detailed and reasonable.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074
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