《同时代的游戏》中“破坏人”的狂欢化精神
[Abstract]:Kenzaburo Oe,1938-, one of Japan's most famous contemporary novelists, won the Nobel Prize for Literature in 1994. Writers enjoy a high reputation in Japanese literature for their unique writing style, high sense of responsibility and humanitarianism. Using Bakhtin's carnival theory, Dae-jian-sanlang creates the image of "destroying man". Through a series of carnival creative techniques and techniques, he conveys the freedom and equality contained in carnival culture and the world feeling of alternation and renewal. Standing on the standpoint of introspection and critique of the national culture, Kenshiro Oe expresses his yearning for the carnival ideal life of Japan and the whole world. The full text is divided into five parts: the introduction part summarizes the domestic and foreign research on Kenshiro Oe and the research value and significance of this paper. The first chapter is to define the carnival theory, to explore the relationship between Kenshiro Oe and the carnival theory, and to analyze the carnival factors contained in the contemporary game. The second chapter analyzes the alternation and renewal, freedom and equality, and the carnival spirit of pursuing ideal. The third chapter is based on the background of the creation of Kenshiro Oe and the social reality of Japan, and analyzes the carnival significance of "destroying people" created in the works, that is, striving for democratic politics, carrying forward popular culture and creating an ideal environment. In the conclusion part, the author further discusses the reason and purpose of Oe Kenshiro's creation of "saboteur" with carnival spirit, and points out that the author hopes to awaken the Japanese people through "sabotaging people" and struggle against injustice through the strength of the general public. Transform the unideal reality, create freedom and equality, and a peaceful and beautiful future. This paper mainly uses Bakhtin's carnival theory to analyze the carnival spirit contained in "destroying Man" in the Game of the same time. The image of "destroying people" created by Kenshiro Oe shows dissatisfaction and criticism of Japanese social reality on the one hand, and full of hope for Japan's future on the other.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I313.06
【参考文献】
相关期刊论文 前10条
1 曹巍;寻找失落的家园——大江健三郎“乌托邦—森林意识”小说的主题研究[J];北京师范大学学报(人文社会科学版);2000年03期
2 夏忠宪;巴赫金狂欢化诗学理论[J];北京师范大学学报(社会科学版);1994年05期
3 李方阳;;探索大江文学想象力的原点[J];山西大同大学学报(社会科学版);2009年06期
4 麦永雄;论大江健三郎的叙事视角与空间化小说[J];日本研究;2000年01期
5 兰立亮;;文本游戏与历史书写——大江健三郎《同时代的游戏》叙事策略探蕴[J];日语学习与研究;2011年01期
6 霍士富;大江健三郎小说《新人啊觉醒吧》的复调性[J];国外文学;2003年02期
7 王琢;试论大江健三郎《同时代游戏》的意义[J];外国问题研究;1998年03期
8 夏忠宪;拉伯雷与民间笑文化、狂欢化——巴赫金论拉伯雷[J];外国文学评论;1995年01期
9 霍士富;;大江健三郎文学的时空美学——论《同时代的游戏》[J];外国文学评论;2009年01期
10 何乃英;大江健三郎创作意识论[J];外国文学评论;1997年02期
相关博士学位论文 前1条
1 兰立亮;大江健三郎小说叙事艺术研究[D];上海外国语大学;2011年
相关硕士学位论文 前4条
1 彭巧艳;大江健三郎小说的叙事时间[D];湖南师范大学;2011年
2 刘江清;论大江健三郎小说中的狂欢精神[D];江西师范大学;2011年
3 李晗;试论大江健三郎的边缘文化观[D];内蒙古师范大学;2007年
4 毕贵芹;存在主义视角下的《个人的体验》[D];中国海洋大学;2008年
本文编号:2273364
本文链接:https://www.wllwen.com/yingmeiwenxuelunwen/2273364.html