《五号屠
发布时间：2018-10-17 14:01
【摘要】：库尔特·冯内古特是美国当代文学史中非常重要的后现代主义作家。《五号屠场》是使其享誉海内外的代表作品，也是美国黑色幽默的代表作品之一。 作为“黑色幽默小说”的代表作之一，《五号屠场》一直备受关注，其批评角度呈现出多元化态势：如从小说的黑色幽默风格、人物形象、主题思想、非线性叙事等方面来评论小说。但是很少有人尝试分析渗透在作品中的狂欢化特色。本文试图运用巴赫金的狂欢化理论解读文本中狂欢化特征，力求为小说的研究评价提供一个新的视角。 本论文主要从狂欢化的情节，狂欢化的精神和狂欢化的语言与结构三个方面，对小说进行分析。引言简要介绍小说家冯内古特的生平、作品和五号屠场的主要内容，归纳近年来国内外对这部小说的研究现状,以及本文的写作目的和创新意义；第一章介绍了巴赫金狂欢化理论的基本理论并指出这一理论与《五号屠场》之间的关系，初步建立起《五号屠场》与狂欢化理论的联系。第二章主要分析狂欢化的情节，包括狂欢化的人物形象，狂欢化仪式与狂欢化的广场。这些由狂欢节庆生活的游艺仪式中转化而来的一系列人物，负载着狂欢节的世界感受；小说整体构思和人物形象方面隐含的一种加冕与脱冕结构而且还展示了充满狂欢化广场意味的情节，体现了狂欢节的交替更新精神，从而证明了小说情节的狂欢化。第三章着重分析小说的颠覆与对话精神。在文章中，冯内古特颠覆了宗教的严肃性，揭示了美国梦同资本主义的虚伪性，作者也对人与人之间亲密无间的关系进行了大胆的颠覆。同时小说中以体裁拼贴形成的杂语以及复调特点显示出了小说的狂欢化对话精神。第四章分析了小说体现的狂欢化语言和结构。从冯内古特有意地使用粗鄙的语言、直接引用他人使用的外国语言、自创新词以及对看似无意义词语的重复可以看出小说的狂欢化语言风格。小说狂欢化的结构可以从“时空体”这个概念解读，它是一个关于特殊的时间与空间的概念。结论部分对整篇论文进行简要归纳，，明确指出，《五号屠场》是一部具有狂欢化文学显著特征的小说。
[Abstract]:Kurt Vonnegut is a very important postmodernist writer in the history of contemporary American literature. "Slaughterhouse No. 5" is one of the representative works at home and abroad and also one of the representative works of American black humor. As one of the masterpieces of "Black humor novel", "Slaughterhouse No. 5" has been attracting much attention, and its criticism shows a variety of trends, such as the novel's black humor style, character image, theme thought, etc. Non-linear narrative and other aspects to comment on the novel. But very few people try to analyze the revelry characteristic that permeates in the work. This paper tries to use Bakhtin's carnival theory to interpret the characteristics of carnival in the text in order to provide a new perspective for the study and evaluation of the novel. This paper analyzes the novel from three aspects: the plot of carnival, the spirit of carnival and the language and structure of carnival. The introduction briefly introduces the life of novelist Vonnegut, his works and the main contents of Slaughterhouse No. 5, summarizes the research status of this novel at home and abroad in recent years, as well as the writing purpose and innovative significance of this article; The first chapter introduces the basic theory of Bakhtin's carnival theory and points out the relationship between the theory and "Slaughterhouse No. 5", and preliminarily establishes the relation between "Slaughterhouse No. 5" and Carnival Theory. The second chapter mainly analyzes the plot of carnival, including carnival characters, carnival ceremony and carnival square. These are a series of characters transformed from the carnival festival to celebrate the life of the entertainment ceremony, loaded with the carnival of the world experience; The whole conception and character image of the novel is a coronation and de-coronation structure. It also shows the plot which is full of carnival square and embodies the spirit of alternating renewal of carnival, thus proving the carnival of the novel. Chapter three focuses on the subversion and dialogue spirit of the novel. In this article, Vonnegut subverts the seriousness of religion and reveals the hypocrisy between American dream and capitalism. At the same time, the mixed language and polyphonic features of the genre collage in the novel show the spirit of carnival dialogue in the novel. Chapter four analyzes the carnival language and structure of the novel. The carnival language style of the novel can be seen from the intentional use of crude language by Vonnegut, the direct quotation of foreign languages used by others, the creation of new words and the repetition of seemingly meaningless words. The structure of revelry can be interpreted from the concept of "space-time", which is a special concept of time and space. The conclusion part briefly summarizes the whole paper and points out clearly that Slaughterhouse No. 5 is a novel with remarkable characteristics of carnival literature.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2276892
[Abstract]:Kurt Vonnegut is a very important postmodernist writer in the history of contemporary American literature. "Slaughterhouse No. 5" is one of the representative works at home and abroad and also one of the representative works of American black humor. As one of the masterpieces of "Black humor novel", "Slaughterhouse No. 5" has been attracting much attention, and its criticism shows a variety of trends, such as the novel's black humor style, character image, theme thought, etc. Non-linear narrative and other aspects to comment on the novel. But very few people try to analyze the revelry characteristic that permeates in the work. This paper tries to use Bakhtin's carnival theory to interpret the characteristics of carnival in the text in order to provide a new perspective for the study and evaluation of the novel. This paper analyzes the novel from three aspects: the plot of carnival, the spirit of carnival and the language and structure of carnival. The introduction briefly introduces the life of novelist Vonnegut, his works and the main contents of Slaughterhouse No. 5, summarizes the research status of this novel at home and abroad in recent years, as well as the writing purpose and innovative significance of this article; The first chapter introduces the basic theory of Bakhtin's carnival theory and points out the relationship between the theory and "Slaughterhouse No. 5", and preliminarily establishes the relation between "Slaughterhouse No. 5" and Carnival Theory. The second chapter mainly analyzes the plot of carnival, including carnival characters, carnival ceremony and carnival square. These are a series of characters transformed from the carnival festival to celebrate the life of the entertainment ceremony, loaded with the carnival of the world experience; The whole conception and character image of the novel is a coronation and de-coronation structure. It also shows the plot which is full of carnival square and embodies the spirit of alternating renewal of carnival, thus proving the carnival of the novel. Chapter three focuses on the subversion and dialogue spirit of the novel. In this article, Vonnegut subverts the seriousness of religion and reveals the hypocrisy between American dream and capitalism. At the same time, the mixed language and polyphonic features of the genre collage in the novel show the spirit of carnival dialogue in the novel. Chapter four analyzes the carnival language and structure of the novel. The carnival language style of the novel can be seen from the intentional use of crude language by Vonnegut, the direct quotation of foreign languages used by others, the creation of new words and the repetition of seemingly meaningless words. The structure of revelry can be interpreted from the concept of "space-time", which is a special concept of time and space. The conclusion part briefly summarizes the whole paper and points out clearly that Slaughterhouse No. 5 is a novel with remarkable characteristics of carnival literature.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
【参考文献】
相关期刊论文 前2条
1 朱锦平;王晶;;《五号屠场》中虚构的历史和真实的虚构[J];哈尔滨工业大学学报(社会科学版);2006年03期
2 苏凤;;论《五号屠场》中的狂欢化叙事[J];理论界;2011年07期
本文编号：2276892
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