后现代时期的混搭小说：对比研究《傲慢与偏见与僵尸》和《傲慢与偏见》

发布时间：2018-10-24 19:39

【摘要】：2009年《傲慢与偏见与僵尸》的出版在文学界中引发了新的潮流——经典小说混搭流行元素。类似小说已问世十余本,另有更多尚在酝酿。针对该文学现象,网络及报刊的评论蜂拥而至,但至今鲜见正式的研究。本篇论文认为,被《傲慢与偏见与僵尸》的出版商命名为“混搭小说”的此类文学作品本质上是后现代主义的产物。本论文采用自底向上方法,以《傲慢与偏见与僵尸》为例,试图阐述混搭小说与经典文学进行的创造性互动,在颠覆文学经典的同时,却又使之在当代社会中获得重生。通过比较“混搭”在后现代主义语境中与互文性相关的若干术语,第一章理清了“混搭”的概念。第二章以对奥斯丁品牌富有娱乐性的运用作为切入,使用文本分析方法,对格拉汉姆史密斯的混搭小说以及奥斯丁的经典文本进行了比对,从而说明两者之间产生的创造性的互动。第三章和第四章从该混搭小说的僵尸和东方元素这两方面对其进行了语境分析。第三章着重研究僵尸在混搭小说中的意义,阐述了其对奥斯丁经典文本的颠覆以及重塑。第四章分析该混搭小说中表现出的东方情怀亦得出同样的观点,但同时发现混搭小说的意识局限,即其无法突破美国流行文化中对东方的既定观念。基于文本对比以及语境分析,第五章将混搭小说置于流行文化的大环境中,运用后现代主义和消费者文化理论,从西方马克思主义批评视角阐释了混搭小说的形成及其商业成功的原因。篇末章节总结了后现代时期混搭小说的总体特征和趋势,以期为后现代文学和文化社会学的研究做出贡献；结尾还指出了未来相关研究的领域。
[Abstract]:The publication of Pride and Prejudice and Zombies in 2009 triggered a new trend in the literary world-classic novels mingled with popular elements. More than a dozen similar novels have been published, and many more are still brewing. In response to this literary phenomenon, the Internet and newspapers and periodicals comments crowded, but so far there is little formal research. This paper argues that the literary works named by the publisher of Pride and Prejudice and Zombie as "Mixed-Fiction" are essentially the product of postmodernism. Taking Pride and Prejudice and Zombie as an example, this thesis attempts to illustrate the creative interaction between the novel and the classical literature, which subverts the literary classics while making them reborn in the contemporary society. By comparing some terms related to intertextuality in postmodernist context, the first chapter clarifies the concept of "mashup". In the second chapter, the author uses the method of text analysis to compare Graham Smith's mashup novel and Austen's classic text with the entertaining application of Austin brand. Thus explaining the creative interaction between the two. Chapter three and chapter four make context analysis from zombie and oriental elements. The third chapter focuses on the significance of zombies in the mashup novel, expounds its subversion and remodeling of Austen's classic text. The fourth chapter analyzes the same point of view of the oriental feelings in the novel, but at the same time finds out the limitation of the consciousness of the novel, that is, it can not break through the established concept of the East in American popular culture. Based on text contrast and context analysis, the fifth chapter puts the mixed story in the context of popular culture, using postmodernism and consumer culture theory. From the perspective of western Marxist criticism, this paper explains the formation of mixed-up novels and the reasons for their commercial success. At the end of the chapter, the author summarizes the general characteristics and trends of the postmodern mixed story, in order to contribute to the study of postmodern literature and cultural sociology, and points out the relevant research fields in the future.
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I106.4-03

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