《农事诗》中的碎片化写作研究
发布时间：2018-10-29 12:40
【摘要】：1985年瑞典皇家学院将诺贝尔文学奖颁发给了克洛德·西蒙。得奖时,西蒙已孜孜不倦地在文学道路上探索了四十多年,本文所要研究的《农事诗》(1981)是其耗时最久的一部作品,以其中娴熟的写作技巧被认为是西蒙的代表作之一。在国内,关于西蒙及其作品的研究大多注重整体介绍,在国外,对西蒙的研究虽然已经较为深入,但针对《农事诗》的研究为数不多。 《农事诗》打破了传统小说根据时间、因果顺序来安排情节的创作方法,因此“碎片化”是这部作品最显著的特点。本文将从叙述学角度出发,结合文本分析的方法,通过从三个不同角度分析《农事诗》中的“碎片化”写作的形成原因以及实现技巧来解读其中的“碎片化”写作。西蒙的碎片化写作并非只是一个文本形式的实验,而是对其创作观、历史观、世界观、时间观的综合反映。论文主要分为三章：第一章讨论《农事诗》中的类比原则,它反映了西蒙的历史观,既存在于人物之间,也存在于历史和自然之间。它造成了多条叙述主线交叉并存、相互切断的状况,而人与人之间、历史与自然之间的相似点就是串联这些叙述碎片的“关节点”。类比原则作为整部小说构架的中心,从宏观角度使得叙述呈现“碎片化”的面貌。第二章讨论《农事诗》中叙述的不连贯性。西蒙深受普鲁斯特影响,认为小说创作就是在书写记忆,记忆本身就是碎片化的,这种特性也表现在小说形式层面,造成了文本的碎片化。本章中还会分析西蒙为了切断叙述连贯性所使用的具体技巧,包括通过词语拼接两个无关碎片、大量使用插入语、中断叙述等。第三章主要讨论《农事诗》中的绘画特色,这一特色与西蒙对时间的看法密不可分。在他看来,人类的感知和记忆能抓住的不是线性时间流,而是瞬时和同时。西蒙借鉴绘画技巧在他的小说中描绘这些瞬时和同时的画面,他的写作就像由一幅幅分散的画作拼接而成。西蒙的画笔就是描写,现在分词的巧妙使用使得西蒙的描写具有了叙述功能。 希望本文的研究分析能为更多读者提供一个参考,帮助他们了解、欣赏西蒙在小说创作方面的创新和理念,并对我国在西蒙研究方面做出一点贡献。
[Abstract]:In 1985, the Royal Swedish Academy awarded the Nobel Prize for Literature to Claude Simon. When Simon won the prize, Simon had been exploring the road of literature for more than 40 years. The poem of Agriculture (1981) is one of his most time-consuming works, which is regarded as one of Simon's masterpieces for his skilful writing skills. In China, most of the studies on Simon and his works focus on the overall introduction. In foreign countries, although the study of Simon has been more in-depth, but there are few studies on the "Peasants' Poems". "Peasant Poetry" breaks down the traditional novel's arrangement of plot according to time and causality, so "fragmentation" is the most prominent feature of this novel. From the angle of narratology and the method of text analysis, this paper will analyze the formation reasons and realization skills of the "fragmentation" writing from three different angles to interpret the "fragmentation" writing. Simon's fragmented writing is not just an experiment in text form, but a comprehensive reflection of his views on creation, history, world view and time. The thesis is divided into three chapters: the first chapter discusses the analogical principle in "Peasants' Poems", which reflects Simon's view of history, both between characters and between history and nature. It results in the intersecting and intersecting of many narrative main lines, and the similarity between human beings, history and nature is the "key node" of these narrative fragments. As the center of the frame of the whole novel, the principle of analogy makes the narration "fragmented" from the macro point of view. The second chapter discusses the discontinuity of narration in Peasants' Poems. Simon was deeply influenced by Proust and thought that the creation of novel is written memory and memory itself is fragmented. This characteristic is also manifested in the form of the novel which results in the fragmentation of the text. This chapter also analyzes the specific techniques Simon used to cut off the coherence of the narrative, including two unrelated fragments through word splicing, the extensive use of inserts, the interruption of narration, and so on. The third chapter mainly discusses the characteristics of painting in the poem of Agriculture, which is inseparable from Simon's view of time. In his view, human perception and memory can seize not linear time flow, but instantaneous and simultaneous. Simon paints these instantaneous and simultaneous images in his novels using his painting techniques. His writing is like a splicing of scattered paintings. Simon's brush is a description, now the clever use of participle makes Simon's description has a narrative function. It is hoped that the research and analysis of this paper can provide a reference for more readers, help them understand, appreciate Simon's innovation and ideas in the field of novel creation, and make a little contribution to the study of Simon in our country.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I565.074
本文编号：2297721
[Abstract]:In 1985, the Royal Swedish Academy awarded the Nobel Prize for Literature to Claude Simon. When Simon won the prize, Simon had been exploring the road of literature for more than 40 years. The poem of Agriculture (1981) is one of his most time-consuming works, which is regarded as one of Simon's masterpieces for his skilful writing skills. In China, most of the studies on Simon and his works focus on the overall introduction. In foreign countries, although the study of Simon has been more in-depth, but there are few studies on the "Peasants' Poems". "Peasant Poetry" breaks down the traditional novel's arrangement of plot according to time and causality, so "fragmentation" is the most prominent feature of this novel. From the angle of narratology and the method of text analysis, this paper will analyze the formation reasons and realization skills of the "fragmentation" writing from three different angles to interpret the "fragmentation" writing. Simon's fragmented writing is not just an experiment in text form, but a comprehensive reflection of his views on creation, history, world view and time. The thesis is divided into three chapters: the first chapter discusses the analogical principle in "Peasants' Poems", which reflects Simon's view of history, both between characters and between history and nature. It results in the intersecting and intersecting of many narrative main lines, and the similarity between human beings, history and nature is the "key node" of these narrative fragments. As the center of the frame of the whole novel, the principle of analogy makes the narration "fragmented" from the macro point of view. The second chapter discusses the discontinuity of narration in Peasants' Poems. Simon was deeply influenced by Proust and thought that the creation of novel is written memory and memory itself is fragmented. This characteristic is also manifested in the form of the novel which results in the fragmentation of the text. This chapter also analyzes the specific techniques Simon used to cut off the coherence of the narrative, including two unrelated fragments through word splicing, the extensive use of inserts, the interruption of narration, and so on. The third chapter mainly discusses the characteristics of painting in the poem of Agriculture, which is inseparable from Simon's view of time. In his view, human perception and memory can seize not linear time flow, but instantaneous and simultaneous. Simon paints these instantaneous and simultaneous images in his novels using his painting techniques. His writing is like a splicing of scattered paintings. Simon's brush is a description, now the clever use of participle makes Simon's description has a narrative function. It is hoped that the research and analysis of this paper can provide a reference for more readers, help them understand, appreciate Simon's innovation and ideas in the field of novel creation, and make a little contribution to the study of Simon in our country.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I565.074
【参考文献】
相关期刊论文 前1条
1 龙迪勇;;记忆的空间性及其对虚构叙事的影响[J];江西社会科学;2009年09期
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