《地下世界》中的边缘化空间
发布时间：2018-12-16 15:09
【摘要】：唐·德里罗在其史诗巨制《地下世界》中，向读者揭开了一段被主流话语所遮蔽的冷战历史，建构了多种多样的“地下世界”。其中，德里罗笔下哈莱姆、南布朗克斯以及冷战时期的美国西部是美国社会中的“异质空间”。本论文从福柯的异质空间理论和列斐伏尔的空间理论切入，结合冷战历史背景，探讨这些边缘化空间的建构以及其所隐含的社会问题。 本文首先聚焦于哈莱姆社区，，通过解读小说中非裔美国人的空间实践所反映的黑人边缘化境地以及白人统治话语对黑人的漠视，探讨非裔美国人在冷战时期所遭遇的种族隔离；并分析指出小说中黑人集体及个人的抗争表现冷战时期非裔美国人对种族隔离的反抗以及对平等的诉求。 其次，本研究论述了南布朗克斯社区中社会底层人群在消费主义大潮中的生存状态。在美国的消费主义社会，这一空间沦为垃圾场，居住于其中的底层人群也沦为社会垃圾，为外界所孤立。同时论文通过分析指出小说人物的涂鸦艺术以及慈善活动是对外界孤立的对抗，显示了底层人群的尊严。 最后，文章探讨了冷战时期美国政府以国家安全的名义在西部建立的大量军事基地，尤其是核试验基地，给当地居民的生命安全带来严重的威胁；并通过论证说明马特的离职和克拉克的沙漠艺术创作在一定程度上是对西部军事化的抗争与解构，表达了德里罗对当时美国政府的核武位置保密政策及核军备竞赛非正义性的批判。 通过解读这些边缘空间，本文指出德里罗所建构的异质空间揭示了冷战时期美国社会中边缘人们的生存状况，表现了尊严与自由的主题，同时表达了德里罗对各种压迫势力的对抗及其对边缘人们深切的人文关怀。
[Abstract]:In his epic the Underground World, Don Delillo uncovers a period of Cold War history obscured by mainstream discourse and constructs a variety of "Underground World". Among them, the Harlem, the South Bronx and the American West during the Cold War are the heterogeneous spaces in American society. Based on Foucault's theory of heterogeneous space and Lefeyvoll's theory of space, this paper discusses the construction of these marginalized spaces and the social problems implied by them in the light of the historical background of the Cold War. This paper focuses on the Harlem community and explores the segregation of African-Americans in the Cold War period by interpreting the black marginalization reflected in the spatial practice of African-Americans and the disregard of black people by white ruling discourse. It also points out that the black collective and individual struggle in the novel shows the African American resistance to apartheid and the demand for equality during the Cold War. Secondly, this study discusses the existence of the underclass in the South Bronx community in the tide of consumerism. In the consumerist society of the United States, this space is reduced to a garbage dump, and the people living at the bottom of it are also reduced to social garbage and isolated by the outside world. At the same time, the thesis points out that the graffiti art and charity activities of the characters are isolated against the outside world and show the dignity of the lower class. Finally, the article discusses a large number of military bases established by the US government in the name of national security in the western region during the Cold War, especially the nuclear test base, which brings serious threat to the safety of the local residents. And through the demonstration, it shows that Matt's departure and Clark's desert art creation are, to some extent, resistance and deconstruction to the militarization of the West. It expresses Delillo's criticism of the nuclear position secrecy policy of the American government and the non-justice of the nuclear arms race at that time. By interpreting these marginal spaces, this paper points out that the heterogeneous spaces constructed by Derrero reveal the living conditions of the marginal people in the American society during the Cold War, and show the themes of dignity and freedom. At the same time, it expresses Derrero's antagonism to various oppressive forces and his deep humanistic concern for the marginal people.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2382549
[Abstract]:In his epic the Underground World, Don Delillo uncovers a period of Cold War history obscured by mainstream discourse and constructs a variety of "Underground World". Among them, the Harlem, the South Bronx and the American West during the Cold War are the heterogeneous spaces in American society. Based on Foucault's theory of heterogeneous space and Lefeyvoll's theory of space, this paper discusses the construction of these marginalized spaces and the social problems implied by them in the light of the historical background of the Cold War. This paper focuses on the Harlem community and explores the segregation of African-Americans in the Cold War period by interpreting the black marginalization reflected in the spatial practice of African-Americans and the disregard of black people by white ruling discourse. It also points out that the black collective and individual struggle in the novel shows the African American resistance to apartheid and the demand for equality during the Cold War. Secondly, this study discusses the existence of the underclass in the South Bronx community in the tide of consumerism. In the consumerist society of the United States, this space is reduced to a garbage dump, and the people living at the bottom of it are also reduced to social garbage and isolated by the outside world. At the same time, the thesis points out that the graffiti art and charity activities of the characters are isolated against the outside world and show the dignity of the lower class. Finally, the article discusses a large number of military bases established by the US government in the name of national security in the western region during the Cold War, especially the nuclear test base, which brings serious threat to the safety of the local residents. And through the demonstration, it shows that Matt's departure and Clark's desert art creation are, to some extent, resistance and deconstruction to the militarization of the West. It expresses Delillo's criticism of the nuclear position secrecy policy of the American government and the non-justice of the nuclear arms race at that time. By interpreting these marginal spaces, this paper points out that the heterogeneous spaces constructed by Derrero reveal the living conditions of the marginal people in the American society during the Cold War, and show the themes of dignity and freedom. At the same time, it expresses Derrero's antagonism to various oppressive forces and his deep humanistic concern for the marginal people.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
【参考文献】
相关期刊论文 前1条
1 周敏;;冷战时期的美国“地下”世界——德里罗《地下世界》的文化解读[J];外国文学;2009年02期
本文编号：2382549
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