新中国陶瓷艺术体制的转变及创作主题——以方云峰为例

发布时间：2018-04-15 04:15

本文选题：新中国 + 方云峰　；参考：《陶瓷学报》2014年01期

【摘要】：新中国成立以后,国家对景德镇的瓷业生产恢复作出了卓有成效的努力,一批在民国著名的陶瓷艺人在新的"国家体制"中发挥了重要作用。景德镇陶瓷职业教育家、彩绘艺术家方云峰,一方面继承了民国瓷绘艺术的优势题材,一方面又在此基础上大胆创新,开创了新时代向往和平、自由、图强、图新的新主题,表现了新国家的一种革新思想。日后的陶瓷艺人也日渐走出了民国时期依个人爱好及市场流行去选择主题的旧体制,开始转入了与集体、国家主流意识融为一体的集体计划指令的新体制,瓷绘艺人开始融入国家体制之中,这是几千年陶瓷艺术体制上一个前所未有的大变化、大革新,极大地影响了日后陶瓷艺人的创作心路历程及瓷艺的主题。
[Abstract]:After the founding of New China, the state made fruitful efforts to restore the porcelain production in Jingdezhen, and a group of famous ceramic artists in the Republic of China played an important role in the new "national system".Jingdezhen ceramic professional educator and artist Fang Yunfeng, on the one hand, inherited the superior themes of the Republic of China's porcelain painting art, on the other hand, boldly innovated on this basis, and created a new era yearning for peace, freedom, strength, and new themes.It represents a new idea of innovation in the new country.Later ceramic artists gradually moved out of the old system of choosing themes according to their personal interests and market popularity during the Republic of China, and began to move into a new system of collective planning directives integrated with the collective and national mainstream consciousness.Porcelain artists began to integrate into the national system, which was an unprecedented change in the ceramic art system for thousands of years, great innovation, which greatly affected the future ceramic artists' creative process and the theme of porcelain art.
【作者单位】：景德镇陶瓷学院;
【基金】：2012年景德镇市科技规划项目《现代景德镇陶瓷艺术史1950-2010》项目成果之一
【分类号】：J527

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